Probably one of the more popular recipes on this blog, and even among my friends when I talk to them about cooking, is this recipe for Sticky Chicken. It's a recipe I learned from my younger sister when I first started cooking years ago. And through the years, I've practiced the most difficult part, the caramelizing of the sauce to make it thick, goey, and sticky. This isn't a recipe that's quick to make, but it is definitely simple. Just a few ingredients, just a few easy steps, and in the end you'll have a dish your friends will oooh and aaah over at the dinner table. Plus get all sticky fingers from eating it. Enjoy!
Thursday, November 29, 2007
In The Kitchen: Simple Sticky Chicken
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Wednesday, November 28, 2007
Dish on Dining: Roe
SOMA Lounge Attempts to Redefine Asian Fusion
651 Howard St. (at Hawthorne Lane), San Francisco
SOMA District
PH: 415.227.0288
Dinner: Mon.Sat., 511 p.m.; late night dining: Fri.Sat., 11 p.m.1 a.m.
Major credit cards, reservations accepted
www.roerestaurant.com
The 3-year-old Roe Restaurant and Lounge closed earlier this year for renovations, and it reopened with a new chef who had just returned from three months of working at El Bulli the highly regarded Spanish restaurant of culinary maestro Ferran Adrià .
With that background, I was as pumped to try out the new Roe as the pulsating dance music thats generated nightly by a DJ at the lounge upstairs.
So when my friend Angel from Chicago came into town for a family wedding, we met at the Powell Street station on a Friday night and walked (with luggage in hand) a few blocks to Roe. The restaurant is situated near a strip of Howard Street thats like a mini club scene: The W Hotel is at the corner, Thirsty Bear is right next door and some kind of gentlemens club with an intimidating bouncer is across the street.
Now, I have to explain that Ive never been to Roe so I cant compare the renovated Roe with its previous incarnation. (From what I can tell from old reviews, the old Roe was a bit glam with gold lamé drapes and the food focused on sophisticated Southeast Asian cuisine, primarily Burmese. The restaurants owner, music promoter Ben Chu, is part of the family behind Nan Yang Burmese restaurant in Oakland.)
When Angel and I entered the dining room, it definitely had a club feel with its dark lighting and sparkling bar area. But it wasnt boisterously loud like other SOMA restaurants. In fact, I felt like the spacious room of exposed red brick could have packed a few more tables. Instead, it offered a fine-dining atmosphere perfect for special occasions. (The lighting also made it difficult to take many photos of the decor and the food. It wasnt until near the end of our meal when the restaurant had almost emptied that I felt brave enough to turn on my flash.)
We slipped into a booth near the sparsely decorated back area and ordered a couple of the specialty Asian-inspired drinks (think lychee, lemongrass and passion fruit) from the bar. Our waiter came and introduced himself and thus began our relationship for the night. I say relationship because the waiter, while professional and friendly, was extremely chatty about the food. Youd think as a food blogger Id appreciate that. But on a Friday night after a few drinks, all I wanted to do was eat and not listen to the waiter go into every detail about the wonderful duck or amazingly popular hamachi.
After the waiters presentation, the kitchen brought out a grounded duck meatball as an amuse bouche. It was nice, with a light soy glaze, but I always find it hard to eat a meatball in just one bite.
The menu by chef Alvin San was split into first and second courses. (The first courses ranged in price from $7 to $14 and second courses went for $17 to $25.) San supposedly revamped the menu to emphasize California cuisine with an Asian flair, but you could tell from some of the Mediterranean ingredients (i.e., couscous, Spanish chorizo) he injected into the dishes that he was influenced from his time in Spain.
I initially had my eye on the Lollipop Scallops with prosciutto but passed when I found out the scallops were deep-fried. (Again, not a fan of fried foods.) I also was tempted by the glazed duck breast because I always order duck when its on the menuunless its duck confit. This breast was prepared confit-style (braised in its own fat).
I settled on the seared rare hamachi ($14) as a starter and the Amsterdam lamb chop as my main course. Angel chose to start with the curry duck napoleon and the Tai Snapper for his main.
When our dishes arrived, I thought we went back in time to the 90s when restaurants were serving dishes on super large plates and the food tucked off to the side. Both of our starters came in large white plates with the accompanying sauce painted on the bottom half of the plate.
Angels curry duck was tender, but lacked any oomph IMHO. My hamachi came with an avocado cream and basil pesto, sat on French lentils and bits of Spanish chorizo and was topped with micro greens. I thought the hamachi was fresh and lightly seared, but didnt like the contrasting texture of the pillowy soft raw fish and the harsh lentils.
Side note: With our dinner, Angel ordered a glass of Chardonnay that the waiter was pushing (he had offered tasting samples for both of us without us even asking) and I had a glass of Zinfandel from the California coast. Both were nice medium-body wine that didnt overpower our dinner.
Our main courses arrived later, again on large white plates with the accompanying sauce creating a design on the bottom. (Is this the only thing Chef San picked up from his time at El Bulli? Plating?) Angels Tai Snapper (a white fish) had a nice golden brown crust to it and was perfectly moist. My lamb chops, cut French style like lollipops, was the highlight of dinner.
I cant say I can remember any of the added flavors or accompaniments that came with my lamb (the menu said something about pomegranates and I'm pretty sure there were some fava beans). But I do rememberand probably will always rememberthe incredibly perfect execution of the meat by the chef. The lamb was tender but not rear. It was soft but not chewy. The meat kept its shape on the bone, but I didnt have any problems getting it off with each bite. There were just a few pieces of chops, and I literally picked up each one like a drumstick and ravaged every morsel of meat off the bone. And I rarely eat with my fingers! But I wantedno, I neededto get every bit of this lamb.
While youd think I would sing more high praises on this lamb dish, I cant because the rest of the dish didnt seem to raise the well-executed meat to any new heights. The other ingredients were good on their own, but didnt seem to meld nicely with the perfect lamb meat. And that was the trend of our dinner, in my eyes. All the ingredients were top-notch and prepared expertly by the kitchen, but the vision behind the combination of these ingredients was a bit off. They neither sang together nor played off each other in a successful way.
Each of us ended our meals by ordering the same desserta green tea and Coke ice cream float. After listening to our waiter briefly describe the ice cream as an inside-out sandwich (OK, I admit, I cut him off and told him the dessert sounded excellent without him fully explaining the last 5 minutes of his description), I had thought this might be where Chef San introduces some molecular gastronomy that he might have learned in Spain.
Our dessert arrived and as we bit into the ice cream portion made with green tea and a gummy substance holding it all together with the cookie shell in the center, Angel and I looked at each other and said mochi ice cream. Thats right, it tasted simply like the craze a few years back of ice cream wrapped by the pounded and steamed sticky rice treat in Japan known as mochi. While it was good, it wasnt exactly innovative. The accompanying ice cream float was refreshing, but also failed to sparkle with new techniques.
As we left, a DJ appeared downstairs ready to pump up the volume for late night diners while music was already going upstairs at the lounge (you have to go to the upstairs lounge and dance floor to use the restrooms).
Maybe I had too many expectations of Chef San and the new Roe. Who knows, maybe with time the chef will experiment more and have more successes with the combination of flavors. For now, Roe is a delightful restaurant with professional and welcoming service and a menu thats satisfyingly familiar.
Single guy rating: 3.25 stars (sophisticated but safe)
Explanation of the single guy's rating system:
1 star = perfect for college students
2 stars = perfect for new diners
3 stars = perfect for foodies
4 stars = perfect for expense accounts
5 stars = perfect for any guy's dream dinner![]()
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Tuesday, November 27, 2007
Bomboloni by the Bay: A Finale with Nutella
This past weekend I completed my quadfecta of bomboloni consumption when I finally tasted the last of the four flavors of this wonderful cream-filled Italian treat: Nutella.
If you havent read any of my past raves about the bomboloni here or here, then the lesson is please keep checking my blog regularly. ;-) But really, for those who are just discovering my love of the bomboloni (and yes, it is true love), these plump and perfectly round doughnuts are made fresh with organic ingredients every day and then sold at Borianas Cornera quaint Italian specialty shop in the south end of the San Francisco Ferry Plaza building.
Only four flavors are available: custard and raspberry ($2.50 each) and cioccolatto (chocolate) and Nutella ($2.75 each). I started with custard (always a favorite) and loved the creamy and slightly chilled egg-goodness at the heart of the sugar-coated bomboloni. The raspberry was less than successful, and reminded me of any jelly-filled doughnut at Dunkin Donuts. The chocolate was too rich and the filling not as creamy as the custard.
So when I was at the Ferry Plaza on Saturday, I had little expectations for the final untested flavor, Nutella. To me, custard was the clear favorite.
Oh. My. Gawd. Must. Go. Nutty. For Nutella.
The Nutella was surprisingly creamy, almost gooey. It really could squirt out of the bomboloni as you bite into it. And how good is that? Each squirt gives the back of your mouth that instant pleasure of sweet cream and chocolate-richness that is Nutella, the Europeans alternative to peanut butter.
It was such a treat to enjoy the Nutella bomboloni, especially from my seat on the wooden benches with a view of the Bay Bridge on a sunny (albeit chilly) fall day. BTW, I still bought a custard and I am still amazed at how the custard bomboloni always seems to have more filling than all the other flavors (its like theyre giving away the custard, people!) and it always has that nice, slight chill to it.
Having to decide whether I prefer the custard over the Nutella bomboloni is like how people always seem to want me to choose between San Francisco and New York. You just cant. Theyre both distinctive in their own ways, and theyre both loved for different reasons. Hmmm, if I could eat a bomboloni from San Francisco sitting in Central Park just behind the Metropolitan. Now thats an affair to remember.
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Labels: Food Shopping, Stuff
Monday, November 26, 2007
A Partridge in a Pear Tree Minus the Partridge and Tree
Hope you had a nice Thanksgiving. For me, it was devoid of turkey after spending weeks testing Thanksgiving recipes. So I decided to make paella with chicken, sausage and artichokes. It was yummy and stress-free. As a dessert, I decided to stay with the Spanish theme and serve pears, which just seems very much like something they’d serve in Barcelona. (OK, I confess, I also made a pumpkin pie along with the pears.)
Earlier in the week, I saw these beautiful Bosc pears at the farmers market in downtown Berkeley. Pears are amazingly seductive fruits, just like figs. I guess it has to do with the shape, but I was especially enamored by the flowing stems stretching high.
In this simple recipe, all you do is create a poaching liquid out of red wine and just cook your pears until tender. The poaching liquid has a real holiday taste to it because of the cinnamon and cloves. It’s almost like making mulled cider. You can create your own flavors with your favorite spices and then drop in the pears and in the end you have this wonderful and elegant dessert.
Some recipes call for Bartlett pears, which I think are softer than Bosc so may not keep their shape as well. But go with your favorite variety of pears and then adjust the cooking time to the ripeness of the meat before you begin poaching. Enjoy!
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Wine-Poached Pears
Copyright 2007 by Cooking With The Single Guy
Ingredients:
3 to 4 pears
2 cups red wine
2 cups water
3/4 to 1 cup sugar
2 cinnamon sticks
2 whole cloves
2 Juniper berries (optional)
Filling:
3 oz. Marscapone cheese
1 t powdered sugar
1 T heavy cream
Peel pears but keep the stem intact. Drop the pears into a large saucepan filled with red wine, water, sugar, cinnamon sticks, cloves and Juniper berries. Add more wine and water if you need to fully cover the pears. Bring to a simmer over medium heat and cook until pears are fork tender, about 35 to 40 minutes (depending on the ripeness). You might want to stir the pears occasionally to make sure they cook evenly.
You can store pears in the poaching liquid in the refrigerator until ready to serve.
When ready to serve, remove the pears and with a melon baller, scoop out the core of the pears starting from the bottom. You may need to slice a thin layer from the bottom to make the pear stand upright when serving. (You can core the pear before you begin poaching them if you rather handle the pears when firm instead of fragile soft after they’ve been poached.)
Put about half of the poaching liquid in a smaller saucepan (making sure you remove the cinnamon sticks and berries) and cook at medium heat for about 40 to 50 minutes to create a reduction that you can drizzle over the pears.
In a small bowl, whisk together the marscapone cheese (at room temperature), sugar and heavy cream until smooth. Then scoop the filling into the pears with a small spoon or pipe in with a pastry bag filled with the cheese.
Plate your marscapone-filled pears and drizzle with wine reduction. Serve immediately.
Makes 3 to 4 servings.
Pair with a glass of Pinot Grigio.
TIP: When peeling the pears, have a bowl of ice water and a squeeze of fresh lemon juice nearby. That way as you peel the pear, you can dip it in the lemon water to keep the pear from browning too much. (This is mostly for appearance.)
WHITE CREAM: I like pairing the pear with marscapone cheese because cheese is always a nice pair to pears. But if you don’t have marscapone cheese, you can simply serve it with some vanilla ice cream. Keep in mind this will make your dessert sweeter when paired with your pears that were poached in wine and sugar.
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Saturday, November 24, 2007
Seen at the Market: Alice Waters
I was at the Ferry Plaza Farmers Market this morning in San Francisco and there was a long line outside The Gardener store. I thought they were giving away free samples of something,
but when I checked out the front of the line, I saw the queen of sustainable food herself, Alice Waters. This Berkeley legend, traveling around the country peddling her latest book, The Art of Simple Food, is finally making the rounds closer to home.
Her latest book focuses on simple standards that'll bring fresh, organic, seasonal dishes to your home. It's gotten mixed reviews for its approach (read the LA Times' review by Russ Parsons). Despite what people expected from the book, Waters is still the face of seasonal cooking. Alice, glad you're home where you belong.
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Friday, November 23, 2007
Dish on Dining: Ladys Place
Home-style Nawlins Plates in Downtown Oakland
1611 Telegraph Ave. (at 16th Street), Oakland
Downtown (inside the Latham Square Building)
PH: 510.832.5239
Open Mon.Fri., 7 a.m.6 p.m., closed weekends
Major credit cards accepted
www.ladyscatering.com
If you dont have a watchful eye, you might miss Ladys Place while strolling down Telegraph Avenue in Oakland. Thats because this modest Louisiana-inspired lunch spot is inside the Latham Square Building, off the lobby and down a few steps. But luckily for me, I have eyes like a hawk and I spotted a sign for gumbo right outside the building.
The lady of Ladys Place is Roslynn Lady DeCuir, who since 1989 has run a catering company featuring her Cajun-California specialties such as gumbo, fried chicken wings, po boys sandwiches and red velvet cake. I guess its called Cajun-California cuisine because like everything else in California, Ladys food is a mix of everythinga bit of Louisiana, some parts California with a bit of soul tossed in for good measure.
A few months ago, Lady opened up her place in downtown Oakland where fans of her cooking can now come in for lunch instead of just waiting for an invitation to one of her catered parties. Im always on the look out for lunch options near my office in what people are calling Uptown (the Broadway and Grand Avenue area), but I often find I have to go downtown for some real food. So I headed to Ladys Place, dreaming of a bowl of gumbo.
Ladys Place is a quiet, tiny eatery highlighted by a colorful mural showcasing the jazz heritage of New Orleans. You order your lunch at the counter and then they bring your food to your table.
Gumbo is not on the every day menu. (Its only served on Friday.) But when I arrived on one Gumbo Friday, I saw people munching on bowls with these giant crab claws on top. Hmmm, a bit too messy for a quick lunch, I thought to myself. So after a quick scan of her menu, I settled for the jambalaya, made with chicken and smoked-turkey sausage ($8.50).
While the service is friendly (the kind thatll treat you like family), it can be a bit slow. I waited nearly 15 minutes for my jambalaya to be served. While this may not seem like a long time, it does mean you have to factor that in when youre taking your lunch break. (Also, I doubt the jambalaya is made when its ordered, but is most likely just scooped out of a big pot made earlier in the day. So really, how long does it take to plate it up?)
When my plate of jambalaya finally arrived, it really did look like it was just scooped out of a pot and plopped on the plate. It was simple and very much like eating at your grandmas.
Setting presentation aside, I dug into my jambalaya (which also came with cornbread and a side salad of chopped head lettuce). It was charmingly tasty with a mild-to-medium spiciness to it. I actually probably could have done with more spice. (Thats probably what the bottle of
Louisianas Best Crystal hot sauce on the table was for.) Also, the jambalaya wasnt very complex. It was simply a mix of rice, chicken, sausage, and celery bits with seasoning and a bay leaf (which they forgot to remove before serving).
Despite the lackluster jambalaya, I decided to return on Bar-B-Q Wednesday for some southern BBQ. This time I brought along my co-worker Sue, who I lured to Ladys Place with the promise of fried chicken on the menu. (Since I dont eat fried foods, I figured she could be my taste-tester.)
When we arrived and ordered our lunches, I went ahead and got a plate of BBQ chicken ($8.50) because I dont eat a lot of beef and the ribs would be too messy. (Again, I had to go back to work.) Sue ended up not ordering the fried chicken because Ladys Place only offers chicken wings and Sue doesnt eat wings. (Too much work for the meat, she says.) So I convinced her to order the muffaleta sandwich. Sue had never heard of the muffaleta ($5.75), but I recalled seeing it on a Throwdown with Bobby Flay episode and I told her that it was a very New Orleans kind of sandwich.
When our food arrived, Sue tried her muffaleta, which looked much smaller than what Bobby Flay made. (A muffaleta is made up of layers of meats and cheeses that are accented by a vinegar-type dressing.) She didnt like the bread, which was a bit stale, and the sandwich overall tasted a bit dry. I felt bad that I convinced her to try it. Maybe she should have gone for a po-boy (another traditional New Orleans sandwich made of some kind of fried seafood or beef in a roll).
My BBQ chicken was a large plate of tender goodness. Again, it looked like it was a plate my grandmother put together for me, but the chicken was tender and the BBQ sauce was a nice balance of sugar and vinegar. While I cant say it was the best BBQ in the Bay Area (it probably could have been better with a bit more smoke flavor), it was enjoyable.
Side note: When I first visited Lady's Place, the smooth sounds of jazz could be heard in the eating area. But during this second visit with Sue, the restaurant's flat screen TV blasted a news program during lunch. Is this a sports bar or jazz place? I hope it's more the latter.
Ladys Place is the kind of family-run, small business that you want to support. But the inconsistency in the dishes and the high prices (entrees run between $8.50 and $9.50) for a weekday lunch makes this spot an occasional visit instead of a regular must try.
Single guy rating: 2 stars (tasty but simple meals)
Explanation of the single guy's rating system:
1 star = perfect for college students
2 stars = perfect for new diners
3 stars = perfect for foodies
4 stars = perfect for expense accounts
5 stars = perfect for any guy's dream dinner![]()

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Thursday, November 22, 2007
Give Thanks to All Food on the Table
Wishing you all the best this Thanksgiving ... that your turkey will be moist, your stuffing flavorful, your mashed potatoes mashed and your desserts never-ending. :)
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Tuesday, November 20, 2007
Get Ready for Leftovers
See how Im already thinking ahead for you! When Thanksgiving is over and you have all that turkey meat leftover, heres one idea for a simple meal the next night(s). This turkey pot pie recipe is fun to do because it looks so comforting to see the puff pastry come out of the oven. So it definitely gets me in the eating mood. Plus, you can make the filling with almost any other leftover greens from your Thanksgiving dinner (except the cranberries, I would still just serve that as a side to your pot pie). This recipe is also useful all year round after youve made a roast chicken; just use the leftover meat to make a more traditional chicken pot pie. Enjoy!
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Leftover Thanksgiving Turkey Pot Pie
Copyright 2007 by Cooking With The Single Guy
Ingredients:
1 sheet frozen puff pastry
6 oz. cooked turkey meat (about 1 cup), diced or tiny strips
1 lb. fingerling potatoes, roughly cubed
5 crimini or button mushrooms, diced
2 carrot sticks, peeled and diced
3 celery stalks, diced (about ½ cup)
½ sweet onion, finely diced
¾ cup frozen peas
1 T fresh thyme
1 t Worcestershire sauce (optional)
2 cups chicken broth (home-made turkey broth if you have it)
1 cup water
½ cup white wine
¼ cup flour
1 egg
1 T extra virgin olive oil
salt and pepper to taste
Preheat oven to 400 degrees
Defrost puff pastry sheet per instructions on the box.
In a large saucepan, warm oil over medium high heat. Then add onions, carrot and celery and cook for about 3 to 5 minutes to soften. Then add mushrooms and cook for another 2 minutes (add some salt to season all the vegetables and to let the mushroom sweat out some moisture). Add flour and blend in with all the vegetables and allow to cook off the flour taste. Then add white wine and let the alcohol cook off (about 2 minutes).
Add broth, water, fresh thyme and potatoes and simmer for about 20 minutes until the potatoes are tender. Then add turkey strips, frozen peas and Worcestershire sauce and cook for another 10 minutes or until stock thickens from the flour. Season with salt and pepper to taste. When done, remove pot from heat and set aside. (You can also remove any twigs of thyme as well.)
Roll out your puff pastry sheet over wax paper with dusting of flour. Get one of your terrines or footed soup bowls and place it upside down on top of the sheet and cut around the bowl leaving about an inch excess around the edges. Cut enough for all your terrines. Ladle your turkey mixture into the terrines or footed soup bowls up to about a half-inch from the brim. Stretch the puff pastry over the top and press the edges against the side of the bowl. Use a small knife to pierce a few slots in the center.
In a small bowl, mix your egg with a bit of water to create an egg wash. Then with a pastry brush, lightly brush the egg wash over the pastry dough. Optional: Sprinkle a few sea salt on the top.
Place on cookie sheet and bake in oven for about 30 to 40 minutes until puff pastry is golden brown. Remove from oven and allow to cool for about 15 minutes before serving.
Makes three to four servings. Serve with a mixed green salad or other leftover greens from Thanksgiving.
Pair with a glass of white wine (use the same wine you used to make the pot pie).
TIP: You can substitute the fingerling potatoes with new potatoes or Yukon potatoes. I like the fingerling because they keep their shape better, but if you like your potatoes softer, then try another type. You can also fill your pot pie with whatever greens you have leftover from Thanksgiving dinner, such as Brussels sprouts or green beans. Just add them near the end to make sure theyre not overcooked.
LEFTOVERS THAT KEEP ON GIVING: You can make the soup-base for this pot pie and then refrigerate it and just bake the amount you need for that night. For your puff pastry, just wrap it with parchment paper and place it in an air-tight container in the refrigerator. Roll it out when you need to cut the cover for your pot pie, and then crumble the rest into a ball to save for the next night.
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Monday, November 19, 2007
He Moved The Cheese: A Conversation with Ray Bair of Cheese Plus
I got into cheese pretty late in life. When you grow up in a Chinese family, very little cheese finds itself shaved onto stir-fries. (And despite the stereotypes about Asians, I am not lactose-intolerant when it comes to cheese. Whew!)
But when my culinary tastes broadened, so did my curiosity about cheese. It started with Parmigiano-Reggiano, then some smoked cheddar I stumbled upon at Whole Foods, then some Manchego at a friends dinner party. Eventually I was eating Cowgirl Creamerys Red Hawk, not offended by its musky smell and loving the buttery, rich texture.
Now I love cheese so much that I thought itll be fun to talk to someone who loves it even more. So I picked up the phone and called Ray Bair, owner of Cheese Plus, a cozy neighborhood specialty store in San Franciscos Russian Hill thatlike its name saysstarted off focused on cheese but then broadened out to wine, meats and sandwiches.
Bair spent years specializing in cheese for Whole Foods in California before opening Cheese Plus two-and-a-half years ago. And this guy knows his cheese. I visited with him recently at his store at the corner of Polk Street and Pacific Avenue to talk about the trends in the industry, his tips for buying and serving cheese, and any advice he might have for people like me who loves cheese but may be prone to high cholesterol.
The following are edited excerpts from our conversation.
Chef Ben: So how did you get interested in cheese?
Ray Bair: There were essentially two things that happened. One must have been maybe 20 years ago or so I was cooking for Whole Foods, actually. I was very friendly with the people in the cheese and wine area of the store. Someone had called in sick and they asked me if I could come over and help that night. And I liked it. It was fun. I had been in the basement cooking, making trays of food. And being up on the sales floor and talking to customers, I hadnt done before. I thought that was very exciting.
Couple of years later the opportunity to work at cheese happened. I started working full time and I thought I had a really good knowledge of what I was doing.
But in 1992, Whole Foods transferred me to the Mill Valley location. So I had heard there was a cheese shop in Mill Valley and I thought Id go check it out and see what they were selling there. And it was an incredible experience. It smelled in there kind of like my store smells here. Its one thing you cant really get the same effect in a grocery store as you can in a cheese store. And I talked to the owner. The store was called Mill Valley Cheese Shop and the owners name was Forrest (both Forrest and the cheese shop are no longer around). I said, What is that smell? And he said, Oh, its this cheese called Livarot" and he pulled this little cheese off the shelfnot out of the cooler but off the shelf. And he showed it to me.
Its this little brown box, 4 to 6 inches round. And he says they call this the colonel. And I said, Why do they call it the colonel? Because it has the stripes along the outside like how the colonel has the stripes on the uniform. So he gives me a taste of it and I was really afraid because I thought it stinks; Im not going to like this. I tasted it. He said first you have to sniff it. So it was like this whole food revelation that you would sniff your food before you tasted it.
The whole thing was just mind-blowing, even though Id been working in the cheese world for a couple of years. So I said, How did you know what you know? And he said, Ive been doing this for awhile and you know, there are books out there. And I said, theres books on cheese? I was very much of the American mindset that cheese was dead. So it has no real value. Its just something you enjoy when you eat it and it fills you up. I didnt have any concept of history and geography, and all of these different things are what made me fall in love with the cheese industry. So it was that 15 minutes that I spent in Forrests shop that completely turned me upside down.
CB: Do you still remember how that cheese tasted?
RB: I still do remember how it tastes and we sell it in here now. Its not exactly the same experience because the laws have changed since then. The laws have changed on how its manufacturer, whether its made from raw milk or pasteurized milk. At that time, Im sure it was made with raw milk. Probably four to five years ago it was made with thermalized milk, which is the process of heating the milk below the standards of pasteurization. And nowadays its made with 100 percent pasteurized milk. So its lost some of its aroma and some of its character along the way.
CB: So other than reading books on cheese, how else did you learn about cheese?
RB: It was a lot of reading and a lot of tasting. At that time I joined the American Cheese Society and that was an incredible experience. In 2006 I was an esthetic judge (at the societys conference) in Portland. We had 900 cheeses to be judged. This year, in Vermont, I didnt attend but they had 1,200 cheeses all made in the United States and a few Canadian cheese as well. When I started in 93, 94, I went to Burlington, Vermont the first year they had their conference there and there were maybe 50 people at the whole conference, we could all fit in one bus, I remember. And we didnt have 50 cheeses there to be judged.
The whole industry, the mainstream culture changed about food in the 90s in a very positive way. People were coming back from Europe saying I had this particular product and I want it here, can you get it for me?
Writers were talking about great cheeses made here in the United States. The economy was completely in our favor to buy European products at that time, not like today. The economy is the exact opposite now. Its unbelievable the exchange rate of the euro, which is the where the vast majority of all cheeses still come fromFrance, Spain and Italy.
CB: In your store, whats the percentage of domestic versus imported cheese?
RB: I would say its probably 85 percent imported and 15 percent domestic. We carry what I think is a nice selection of domestic cheese, especially domestic specialty cheese with the majority coming right here in California. About 100 to 200 miles from this store weve got a handful of cheese makers who do a great job.
People ask me all the time, well, should you sell more American cheeses because the European stuff is so expensive? But you know what? The American stuff is just as expensive if not more.
CB: Is it because its mostly small producers in the United States?
RB: Yes, its small producers who are just getting into the business buying land and buying the animals, buying the equipment. Its very expensive to do this kind of work in the United States. The production is small.
The work the American cheese maker has to do to market their cheese versus a French cheese maker whose family or community or region has been making cheese for centuries is just unbelievable. The branding, the amount of free product they have to giveaway at events just to make the Humboldt Farm, for example, be a household name much like double cream brie is in Franceits just completely different.
The costs to get it to the marketplace are much higher. We dont subsidize the cheese making industry in the United States. And you get the small farm whos making 10 wheels or 15 wheels a day, which isnt that unheard of, and I can get a few wheels here and there. I have to get it shipped here somehow, and UPS has got to be the most expensive way to ship here. The economy of scale of having a container filled with brie shipped here across the water even though the distance is exponentially farther and logistically a lot more work to get the brie here from France, the American cheese just arent any less expensive.
CB: In the Bay Area people are more aware of the word artisanal. How do you make sure the cheese providers youre dealing with are giving you the quality of cheese that your consumers expect?
RB: You try to get to as many farms as you can, and they love to have you come out and do those things. Weve been to a number of farms here locally, Redwood Hill, Point Reyes blue cheese up there
We go to trade shows like the American Cheese Society where you get a chance to meet the cheese maker and meet the owner of the farm.
CB: What are some of the trends in cheese right now?
RB: In the last few years theres a trend to have older cheese that are saltier, sharper in character, bigger bolder flavor.
So the idea of cave-aged, which is a word that gets bantered around, which sometimes have real meaning. It means the cheese was aged in a real cavemeaning stone walls. Sometimes it just means a refrigerated walk-in underground. Its about aging the cheese, which is a process of drying the cheese so the salt comes out. And because the way of cheese making has changed over the years, cheese making is more hygienic now than its ever been.
Theres been a huge wave of criticism and attacks toward eliminating or further reducing the amount of raw milk cheeses that are available. So fewer cheese makers are making raw milk cheese than 40 years ago.
Theres very little of the indigenous culture, and the culture is the bacterial culture that gives cheese its flavor. So the cheese has become much cleaner in flavor. The downside of that is theyre bland. So how do you make a cheese have more strength? You have to let it age so the flavors will develop and to boost that salt because people love salt. They love the feel of it and they love the taste of it.
The downside is you see the decline of not bland cheese because nobody wants to eat bland cheese. But you see the decline of subtle cheeses. Its harder to sell to a customer a cheese thats subtle and complexa cheese with great restraint. Theyll say, Oh, it doesnt hit me right away. I say, No, just be quiet. Just wait, 15 more seconds. And then they say, Oh, there it is. Its the same in the wine industry as well. The wine has to be highly alcoholic, rich and sweet right up front.
The other trend youre seeing in cheese right now is the idea of buying locally. We had a couple in today from Ohio and they wanted to have all local cheeses. Thats also happening in the imports as well. People want those specific cheeses from the small farms more and more.
CB: Why do you think that is?
RB: Theres a little bit of the competitiveness of food now. Oh, Ive had San Andreas for many years, give me something else. So theres that sort of new factor of wow me with something I cant get anywhere else. The other part is people are traveling more and theyre finding out about these specific cheeses from these specific towns. The distributors are getting more savvy and theyre out there looking for more cheese to bring to market.
The world doesnt need any more Manchego. Theres enough Manchego in the world. Its a wonderful cheese, its great, but everyone has one now. So they need to find that other cheese from Spain.
CB: Youve traveled around the world tasting cheese. Which country would you say makes the best?
RB: Theres no doubt that France is the king, even though every country Ive been to has a great cheese. Stilton (a blue cheese from England), in my opinion, is a better cheese than gorgonzola, which is the predominant cheese in Italy. But I cant say its any better than Roquefort, which is just an incredible cheese. The culturenot the bacterial culturebut the culture of the community in France you cant compete across the board.
Its just too powerful. Theres too much cheese and too much history in cheese making in that country to not give it top marks.
CB: Do you think the American consumer has become more sophisticated when it comes to cheese, enough so to support the artisan cheese industry?
RB: I think it has grown a lot. But coast-to-coast? No. Ive traveled around the country to know that we live in a wonderful place, the Bay Area, where food is a tremendous part of the positive culture here. ... You can go into any large cityChicago, Los Angeles, Dallas, New Yorkand youre going to find all the same kinds of things you have here. But when you get outside of those communities, its not happening. Its orange or white, and thats really it. You have Philly cream cheese and you either have orange or white cheese. And whats happening is even though consumption of cheese is at an all-time high in this country, its mostly fueled by pizza. So all that tonnage of mozzarella and cheddar is going into pizza.
CB: Lets talk about some basic tips for cheese shopping. Is there a certain smell you want to look for when shopping for cheese?
RB: Yes and no. There are certain smells which you dont want to have a lot of. Cheeses by nature when theyve been wrapped up, theres a lot of gas in that cheese that needs to come out and sometimes ammonia is one of those aromas. A little ammonia can be good. A lot of ammonia in all instances means no good. Sometimes its really just a judgment call. Some people might say, that cheese smells so rotten and so bad I just never can imagine eating it. And other people will go, it smells like mushrooms, and leather, and straw and cauliflower, and theyre all excited about all those aromas. So if it seems fowl to you, I would pull away for sure.
The positive things youre looking for are those things: straw, grass. Maybe you want it to smell like yogurt, which is what we call lactic acid. So you want it to smell like fresh milk or yogurt. Toasted hazelnuts and almonds is a real predominant aroma you sometimes get, certainly in sheeps milk cheese and goats milk cheese. Sometimes you get strong, herbaceous notes of thyme, lemongrass, depending on the cheese.
CB: Is it necessary for cheese to have a smell?
RB: Its good to have a smell, but its kind of like fish. They say fish shouldnt smell, but fish always smells a bit like fish. The secret is if youre at the store, even if youre at our store here, when we take the cheese out from the refrigerator and give you a taste of it, its too cold. It needs a little while to warm up. If you leave it in your hand and fingers, itll warm up a little bit and starts to pick up that aroma. But if its overwhelmingly strong for you in the aroma, you may not like the flavor. The majority of what you taste is what you smell. But it is important to give it a smell first so you have an idea of what youre putting in your mouth.
CB: Ive noticed some cheeses that have a strong, almost offensive odor. But then you taste it and its amazing.
RB: Yeah, a lot of the wash-rind cheeses are like that. The wash-rind is a process of washing the exterior of the cheese with a solution, usually a salt water or herbs and alcohol. And it develops another bacteria culture on the cheese. And thats kind of like a little security guard. It stinks, its big and its brutish. But the interior of the cheese can be sweet and delicate.
CB: After you buy the cheese, how should you store it?
RB: The longer you want to keep it, the colder you want to keep it. But you dont ever want to freeze cheese. It just doesnt work. It does not thaw properly. So forget about freezing your cheese. But you want to keep it as cold as possible if you want it to live as long as possible.
If youre going to eat it in a couple of days, if your house is cool enough, you dont even need to refrigerate it. Just leave it on the counter. You do need to think about the fact that its going to need to breathe. So you dont want to put it under a glass dome. Its going to get steamy; its going to cook. But most peoples refrigerator is just fine.
If its not already wrapped in either parchment paper or wax paper, you want to unwrap it from any plastic wrap. The plastic wrap is sort of a necessary evil of the industry because people want to be able to see their cheese. And we want to be able to have a real air-tight seal on that cheese so that moisture doesnt develop and air pockets arent admitted because thats what makes the cheese start to spoil when theres moisture and air trapped inside of the plastic. So unwrap it and rewrap it in either wax paper or parchment paper and then you can either put that into a Zip lock bag or a Tupperware container or just wrap it again in plastic wrap.
CB: How long can cheese last?
RB: In the modern world, a lot of cheeses have been treated with an antimicrobial agent, which keeps the mold from growing on the outside of the cheese. And its not always real clear on the label what has or hasnt been treated. So some of these cheese Ive had Ive taken them home and theyre in the back of the refrigerator and a month later Im like, Oh my God, I cant believe its still there and its not molded. Usually theyre drier cheeses that are salty like parmesan that will last the longest.
Moisture is the biggest killer of cheese. If its really a wet cheese, its going to spoil quickly. If its drier, itll last longer. But you should be able to have from any store you go to, you should be able to go home and enjoy your cheese in three to five days.
The other thing thats important for the customers to know is that they may come into a shop like mine, any shop where they can actually speak to an employee, and have someone cut the cheese to the size that they need. So if you come in and see that theres a half a pound of cheese cut on the display you can always ask if you can have half of that. ... And the other side of it is now cheeses are $40 a pound, you simply cant buy half a pound of cheese any more. You need to buy just a couple of ounces at a time to make it affordable.
CB: How should cheese be served?
RB: Best thing I can say about serving is to get a big plate. Dont crowd the cheeses on the plate. Put it on your platter, cutting board, or whatever surface youre going to use.
then take them out of their wrapper and put them on to there and maybe loosely cover with a little bit of tin foil to keep the air out and put some wax paper on top and let them sit at room temperature for 30 minutes to two hours. Thats when your house is going to smell, the aromas will come to life, the flavors are going to be nice.
And I recommend that you have a couple of different utensils. Theres nothing worst than having a blue cheese and a goat cheese on the same platter and using the same knife for both. Whats happening is you cant taste the subtlety of each of the cheeses when theres blue cheese on your goat and goat on your blue.
Again, dont crowd your cheeses. They need to be enjoyed singularly. Three cheeses is enough, five is fine. Its not a salad bar. For accompaniments, I say, keep it simple as well. You know, honey, maybe some orange marmalade, walnuts, a few slices of fresh fruit, youre done.
CB: When you eat cheese, do you usually just eat it by itself?
RB: I do, sometimes with a little bread, not as often with crackers. Bread I find to be a better palate cleanser.
CB: Do you notice whether you like to eat more soft or hard cheeses? Whats your favorite cheese?
RB: I like the more subtle cheeses. I like some of the sweeter styles of cheeses, a lot of those end up being milk cheeses. They have a more nutty character to them. Im a big fan of cheese like Taleggio and Epoisse. Taleggio is sweeter than Epoisse. Parmigiano-Reggiano is probably one of my all-time favorite cheeses to eat, for sure. But I like them all.
English farm cheddar is the best. Its salty, grassy, has this wonderful flakiness to its texture. Its slightly musty and earthy in its complexity. So I like those cheeses. I love all kinds of goat cheeses. The goat cheeses typically have a high level of acidity so it wakes up your mouth and gets you salivating.
CB: Earlier you said the trend on low-fat cheese has phased out. Do you have any tips for people who might be concerned about their cholesterol?
RB: We encourage them to find a cheese that has the most amount of flavor that will satisfy that hunger for cheese. So you just dont eat as much.
But cheese isnt the culprit. French fries and hamburgers are the culprit. And thats the thing people have to realize, if youre going to eat a piece of cheese, dont have a steak in the same meal. Just eat the cheese. Have the bread, fruits, olives, however you like to have it, but you cant eat salami and hamburger and sausages and eat cheese. Dont make cheese the bad guy.
I know I definitely wont make cheese the bad guy. After our chat, Ray showed me around his store, including an entire refrigerated section of 25 different varieties of blue cheese. I also got to sample some cheese, including this incredibly subtle, creamy, grassy cheddar cheese from England. I always thought cheddar was so one dimensional, but not any more.
Many thanks to Ray for taking the time out of his busy day preparing for the holiday rush to do this interview for my blog.
If youd like to further your education in cheese, Id recommend you visit your local cheese store such as Cheese Plus where you can talk to the employees, ask for tastings and have them cut the cheese to the amount you need. Then take it home and smell it till your hearts content.
Cheese Plus, 2001 Polk St. at Pacific, San Francisco. PH: 415.921.2001. Open daily. Web site: www.cheeseplus.com/
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Sunday, November 18, 2007
Radicchio Rosso di Treviso
These radicchio at the Berkeley downtown farmers market had this incredible regal burgundy color to them. They were sold by this regular farmer at the market called La Tercera of Marin. They always have such a rustic presentation to their vegetables. They may not have a lot of stuff for sale (and they're kind of pricey), but they're always really high quality, such as the radicchio above. By the way, I love the full Italian reference to radicchio rosso.
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Saturday, November 17, 2007
Celebrity and Food
This is a video from the singer John Mayer's blog. I like his music, but doesn't he seem more an actor than singer? Well, on his blog he's started posting his lunches. (First Ellen, now John.) And then a few days ago he posted this hilarious video that features the Pinkberry frozen yogurt. As I mentioned on my earlier post about fro-yo, people are going crazy from the Pinkberry, as you can see with what happens to this singer.
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Friday, November 16, 2007
Dish on Dining: Laiola
Scrumptious Small Bites with the Neighborhood Crowd
PH: 415.346.5641
Dinner daily from
Reservations, major credit cards accepted
Laiola’s overall casual feel fits in nicely with the
And the rest of the team was just as casual, including my bartender dressed in a printed T-shirt and jeans.
The neighborhood vibe of this Spanish-influenced restaurant and wine bar was what partners Joe Hargrave and Andrew McCormach were shooting for. But Laiola is more than a cool place to hang out with a nice glass of wine. It’s also a great place to eat, with the clean and delicious plates coming out of the kitchen under chef Mark Denham.
NOTE: Since Laiola opened earlier this year, it wouldn’t take reservations. Its first-come-first-serve approach to dining was refreshing for a solo diner like myself, where I could find a seat along the long bar and watch the front row action of either the bartender or the line cooks near the kitchen. But just recently it instituted reservations (by phone after 1 p.m. or via OpenTable). This is probably good news for large parties not wanting to wait, but I feel like Laiola loses some of its small, neighborhood restaurant vibe with this step. We’ll see.The small space of the restaurant has an open feel with its dark wood and big plate windows facing the street. While I was there, a few large parties snuggled in the side tables along the wall, but most people seemed willing to just pull up a stool at the long bar and check out what their neighbors were eating.
Chef Denham’s menu definitely has a Spanish feel, with nods to fresh seafood and pork. It has a list of charcuterie items (oh, excuse me, I guess it’s called charcuteria in Spanish) and an even longer list of appetizers or tapas. There are also a few large entrée plates, but it’s a limited list. The tapa plates go for about $9 to $14 while the few entrées went for about $19 to $23.
I started my evening with a glass of Spanish red wine called Mencia, which my bartender told me was similar in character to Pinot Noir. What I loved about the way Laiola serves its wine by the glass is that the bartender pours the wine from the bottle into an individual size decanter, which he leaves next to you. Then he pours the wine from the decanter into your glass. With the decanter, you can really get a glass and a half of wine, which is a good thing considering the wine cost $12 a glass.
For my meal, I decided to forgo the entrées (although a neighbor’s slow-roasted suckling piglet looked wonderful) and got myself a mix of tapas. I started with Pears ala Plancha ($10) and local squid ($10).
Next up was the local squid, simply grilled and served with a lemon aioli. This was so perfectly symbolic of Spanish cuisine: clean, fresh food from the sea with the slightest hint of good olive oil. The squid was perfectly tender. I ate it so fast that I didn’t realize that I ate the mini parsley on top, which I now realize may have just been there as garnish.
My third dish actually didn’t come up next. For some reason, the first two tapas came out in a timely fashion but I guess the crowd hit the kitchen as I dined because I waited and waited for my final dish, the Quaila la Parilla ($13) or roasted quail. It took so long that I felt the need to order another glass of Mencia (setting me back another $12).
When the quail finally arrived, it was tender and tasty. But really, I don’t think I’ve ever had bad quail; it’s one of my favorite birds to eat.
I ended the evening with an order of Crema Catalana, similar to crème brulee but with an orange-almond-cinnamon flavor. I don’t know if the pastry chefs had an off night, but it was such a spoiler end to the vibrant dishes that came before. The caramelized surface of the crema
was badly burnt, so it offered up a bitter taste when I blended it with the custard.
Single guy rating: 4 stars (visit Spain by the bay) Explanation of the single guy's rating system:
1 star = perfect for college students
2 stars = perfect for new diners
3 stars = perfect for foodies
4 stars = perfect for expense accounts
5 stars = perfect for any guy's dream dinner
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Thursday, November 15, 2007
Behind the Scenes: Chronicle Turkey Training Cook-Off
Two Sundays ago, I woke up early, packed my camera and caught the BART train into San Francisco. I had a date with a turkey.
When I arrived at the San Francisco Chronicles test kitchen in SOMA, I wasnt sure what to expect. I was going to be on one of two teams of amateur cooks selected to compete in a turkey cook-off as part of the papers annual Turkey Training Camp. (In previous years, the paper selected novice cooks, thus the training. This time around, no training involved. Well, maybe a lot of reminders.)
OK, Ill stop here to answer your most obvious question. Why me? I sent in a 100-word e-mail essay a few weeks ago when I read about the competition in the Chronicles Food section. Then I got a call from Tara Duggan, a Chronicle Food writer and columnist and the captain of one of the teams. She asked me about Thanksgiving, how I learned to cook, my mothers maiden name? It was really all just a blur. I remember saying I didnt have a special Thanksgiving recipe but I love how people come together to cook during this particular holiday. I also told her that I spent my weekends developing and testing recipes for my blog, so spending a Sunday cooking all day wouldnt be all that different.
A couple of days later, Tara called me back and told me that I made the team. And I would be on her team. (Yay!) Then over the next few days, we exchanged e-mails on possible recipes and ideas to round out the entire Thanksgiving dinner we had to prepare for the judges. (The only thing Tara decided from the beginning was that we were going to make a Cajun grilled turkey based on the recipe from another team member. So everything else fell in place to support that theme, which is how we came up with a Southern-style Thanksgiving.)
The following is a recap of the turkey cook-off. Warning: This is a pretty long post, probably even longer than my Next Iron Chef recaps. So kick up your feet, open a nice bottle of red wine, and let the battle begin!
I had to include a before-and-after shot of the Chronicle test kitchen. As you can see, we actually didnt really make much of a mess. Of course, major kudos go to the two Chronicle interns who had dishwashing duty the whole day. They were so sweet and didnt complain whenever we would pile on the pots and utensils or bugged them about finding ingredients. The test kitchen is actually in a separate building away from the papers main newsroom at Fifth and Mission Streets in the city. When not being messed up by eight readers, the kitchen is where the writers and contributors test the recipes that appear every Wednesday in the Food section.
Our two leaders! On the left is Olivia Wu, Chronicle food writer and longtime food journalist and cookbook author. Wu headed the Blue Team (based on the aprons we wore) and Tara Duggan, right, led my team, the White Team. Along with writing the Working Cook column in the paper, Tara is also a trained chef, having graduated from the California Culinary Academy. The two gave us an overview of the day before we broke into individual team meetings to strategize. (Although, I have to say, our team met on the rooftop garden and it was such a beautiful, warm day I didnt feel like heading back down to the kitchen.)
When we came down from the rooftop to start cooking, the Blue Team had already begun. And in a clear advantage, they took over the center work counter of the test kitchen, positioning themselves close to the ovens and sink. Above you see the backs of two Blue Team members, Jonathan and Douglas, prepping some ingredients. My team was relegated to a table off to the side of the kitchen.
It was a challenge having both teams working in one kitchen. Just imagine Kitchen Stadium of Iron Chef America but without the rock concert lighting and smoke machine. In the beginning, most people focused on preparing the sides and desserts. Above you see that the Blue Team is working on an apple dessert.
I started by making my cranberry-pear marmalade, a recipe I developed based on a cranberry-mango chutney I typically make for Thanksgiving. I thought pears would be nice since theyre in season. After peeling and chopping a couple of Bartlett pears, I cooked them in a pan with sugar and vinegar to soften them and then I added the cranberries. I spent most of the morning watching the pot because the Chronicle test kitchen didnt have a reliable clock and I wasnt wearing a watch. So I had to watch my cranberries and just had to guess when they were ready based on when they reached the consistency I liked. When I tested the recipe at home, I cut the pears too big so they were chunky, so I cut them smaller during the actual cook off. But then it was too small because by the time the cranberries were done, much of the pears had dissolved. I actually like to taste bits of pears in the recipe, so if you end up making this, Id recommend cutting them as large quarter-inch chunks.
Along with maneuvering around all the cooks in the kitchen, there was a photographer and videographer documenting our day. Here, the videographer interviews a member of the Blue Team, Lily (who has a cool user name of sticky rice), during a lull in the cooking. You can see the actual finished video here on the SFGate site.
Heres our Cajun-rubbed turkey waiting to be grilled. Both teams turkeys had to be seasoned before we arrived Sunday morning (the Blue Team did a brined turkey). So to be fair, Food Executive Editor Michael Bauer came in the day before to prep both teams turkeys. (Yes, I actually got to meet Michael Bauer! I had strict instructions not to photograph him because of his restaurant reviews. But you might see a bit of him in one of the photos below. I have to say, he looks totally different than what I imagined in my head.)
Above, my teammates Louise (left) and Diana (right) work on the oyster stuffing, which is Louises recipe. Louise was perfect for our Southern Thanksgiving theme because she came to the Bay Area from New Orleans after Hurricane Katrina. Diana is actually a Presbyterian minister. They were both so sweet to work with. (What? You thought I would say a minister wasnt sweet? Ha! No, she really is very sweet.)
The fourth and final member of the White Team is Marker, a lawyer who lives in Berkeley. Marker was so dedicated, he actually brought in his own grill to cook the turkey. (BTW, I loved the photo of Marker and his turkey in the Chronicles Food section, taken by staff photographer Craig Lee. Craig and I actually go way back when I was a young journalist starting out with the San Francisco Examiner. This town is so small.)
Lunch break. We took a break from cooking to lunch on some Vietnamese sandwiches and green salad that the Chronicle provided. At this point, both teams were pretty confident although I did hear that the Blue Team had to redo one of its desserts. Turns out, the White Team ended up redoing our dessert as well. This is why I dont bake.
We had to finish all of our dishes by 3 p.m. for the judging, so after lunch it was a mad rush putting the finishing touches on everything. I spent much of the time working on the green bean dish (based on a recipe from Tara) and then my andouille sausage and mushroom gravy. (Turns out there was a bit of indirect sabotage from the other team when the guy making their stuffing dish used up all the mushrooms in the pantry. In the paper, hes the guy that doesnt measure. Um, see what happens?! Anywho, one of the interns ran out to get some more so we had a slight delay. ) Above left, Louise works on our extra credit dish, which was a starter of crab cakes. (For their extra credit dish, the Blue Team made a second dessert with squash.) On the bottom right is my finished gravy, despite Mushroomgate. It tasted good but Tara was concerned about the coloring. She felt it needed to be darker. I didnt use any drippings from the turkey pan because we forgot in the rush, and the gravy turned out a bit too thick for my preference. (Thats a big debate, I think, how thick do you want your gravy? I thought, for example, that the Blue Teams gravy was too thin by all the turkey fat. And they made two types of gravy. Whats up with that?)
This was one of the most talked about recipe among the Chronicle staffers who had tested our recipes prior to the cook-off. This is Markers wifes aunts recipe for Buttermilk Pie. Its just pure cream and rich. It looked beautiful, but it didnt set as firm by the time we served it. But really, that didnt matter because people with a sweet-tooth will basically be licking the filling off their plates when you make this.
Once we finished cooking and plating our dishes, it was time for the foods close up. Above Craig takes a photo of the White Teams finished dishes. Thats Amanda Gold from the Chronicle staging the dishes. Shes the expert food stylist for the paper who was also helping out our team. We needed all her help because the other team, again in a clear advantage, took first swipe at choosing the serving dishes and much of the flowers from the rooftop garden for their presentation. Dang, they were fast. Maybe we should have had them meet outdoors in the sun.
Heres the Blue Teams Thanksgiving meal. See what I mean about grabbing all the flowers for presentation? They clearly had the edge in looks.
Heres a side by side comparison of the two teams vegetable dish. I worked on the green beans with pickled onions for our team on the left and Lily or sticky rice made this braised mixed greens with coconut milk for the Blue Team. The green beans were super easy to make, but I also experienced a last-minute delay. Tara had pan-fried the bacon earlier in the day and she wanted me to use the same pan to sauté the green beans right before serving so it could be warm and glistening from all the rendered bacon fat. (Altogether now: oooooh.) But someone had moved the pan off the stovetop during the mad rush of cooking and placed it in the sink for washing. When I dropped the minced garlic into a pan on the stovetop to warm up before cooking the beans, I realized I had dropped the garlic into the pan used to fry the crab cakes. So I had to ditch the garlic and start all over with a new pan. Luckily, Louse quickly minced some more garlic and I just loaded the pan with a lot of butter since I no longer had the bacon fat to work with. I think it turned out pretty nice after all.
Here come the judges. Four people came in to judge our dishes. Pictured above are Emily Luchetti, left, pastry chef at Farallon, and Maria Helm Sinskey, chef at Robert Sinskey Winery. And that elbow on the far right belongs to Michael Bauer, who also judged along with Chronicle Food Editor Miriam Morgan (not pictured).
After the judges were done looking at our presentations, the turkeys were taken back to the kitchen and carved up into plates made up for each judge. The judges went up to the rooftop garden to do their tasting and deliberating. Above you see Luchetti at the judges table with the other judges conveniently hidden behind that big bush.
While the judging occurred up on the rooftop garden, the team members broke bread and ate the meal before us downstairs. It was a time for everyone to relax and enjoy the food, and there was so much of it! I tried almost everything and I have to say that everything tasted really good. Some things were more my favorite than others, but overall all the dishes were perfectly done and offered a lot of interesting tastes and flavors.
In the end, the Blue Team had the better meal and was named the winner by the judges. They said something about how the Blue Teams dishes worked well together. But we all walked away with boxes filled with wine from the Chronicle (and two additional bottles of wine from Judge Sinskey). Despite the loss, it was a lot of fun meeting fellow food lovers. (Or what Louise calls "food crazies.") I dont have any major plans for Thanksgiving (because most of my family is in Hawaii), so in many ways sitting down with everyone over the big meal that Sunday afternoon was my Thanksgiving 2007.
For the Chronicles story and recipes for all the dishes made by both teams, click here.
Special thanks to Tara and all the editors at the Chronicle's Food section for allowing me to take part in this year's Turkey cook-off. FYI, I am so ready for a rematch. ;-)
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Wednesday, November 14, 2007
Turkey Cook-Off with Your Morning Coffee?
If you’re in the San Francisco Bay Area, don’t forget to pick up a copy of this morning’s San Francisco Chronicle. In the Food Section, you’ll see a certain single guy food blogger taking part in the section’s “Turkey Cook Off.”
And if you’re too lazy to break away from this screen, then you can read it online here.
Check back tomorrow when I post my “behind-the-scenes” look at this turkey competition. It was a whole lot of fun—and a lot of work! But I can’t say any more or I’ll risk having a 20-pound frozen turkey land on me the next time I’m walking anywhere near Fifth and
Speaking of Thanksgiving, this past weekend I was excited to try out a recipe I saw in Food and Wine Magazine’s Thanksgiving special. I love pumpkin, and they had this recipe for a pumpkin cake with caramel butter cream frosting. Thinking I could do something different instead of a pumpkin pie this year, I thought I’d test the recipe. (Most of you know I don’t bake so I don’t usually come up with my own baking recipes.)
So you’re probably thinking, “aww, so pretty.” Yeah, me too. And it was super easy to make, although time consuming because you have to make the frosting early and let it set in the refrigerator and then I had to run to Williams-Sonoma because I found out the Longs Drugs across the street from me didn’t have two 8-inch cake pans.Anywho, the cake tasted awful! It wasn’t really the taste as much as the texture. It was very dense and not light and fluffy. I’m thinking something was needed in the recipe to keep it light with the pumpkin puree added to it. Just looking at the picture below, you might be able to tell how the texture almost made the pieces look like plastic. Blech. So much for falling for the pretty pictures in Food and Wine. (Although I did like the caramel butter-cream frosting. I still have a bit leftover in my frig.)
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Tuesday, November 13, 2007
Finding ‘Fro-yo' in the Fillmore
Awhile back, I got so caught up reading about the Pinkberry craze in Los Angeles that I considered booking a ticket south for a day just to try one of its frozen yogurt. Yes, I am just that crazy about new food.
Luckily, my brain (and pocketbook) got the better of me and I nixed the LA trip. But the nice thing about living in the San Francisco Bay Area is that food trends eventually find their way here.
Now, I still haven’t spotted a Pinkberry (although there’s rumor of one planned for Silicon Valley), but several frozen yogurt shops are trying to stake an early claim on the frozen yogurt (or “fro-yo” as EaterSF pegged it) wars.
One of the early entrants is Jubili on Fillmore just south of Geary Boulevard and a few yards from Starbucks. This gleaming new shrine to yogurt (and cereal) opened last month and benefits from the old and new Fillmore.The old Fillmore has a strong concentration of Korean immigrants and Korean-Americans. (The latest fro-yo craze has been credited to the popularity of the tart frozen yogurt from Korea. Pinkberry’s founders are Korean-Americans and a large Korean chain known as Red Mango has opened a U.S. counterpart.) The new Fillmore is this huge building known as the Fillmore Heritage Center, which will feature several notable food spots such as a large Yoshi’s and the new 1300 restaurant.
So smart positioning from the people behind Jubili.
Jubili serves three types of frozen yogurt flavors: original, peach and strawberry sorbet. And they serve it in interestingly named sizes: “mi,” “my” and “mo.” (I guess they wanted to create their on vente vocabulary.) With your yogurt, you can top them with a variety of fresh ingredients such as raspberries, strawberries or mango.
When I visited on a recent Saturday afternoon, I decided to try a “my” (medium) sized peach-flavor yogurt with fresh mango toppings. I paid close to $4 for this nice-sized cup of yogurt.
The peach flavor had a slight tang to it with a subtle nectarine flavor instead of peach. I know, you’re thinking how can I tell? I just can. It was more nectarine than peach. (To me, peach as a more subtle flavor while nectarines hit you hard with sweet flavor.)
The fresh mango bits made my cup of yogurt prettier but the mango wasn’t fully ripen, so it didn’t add anything to my yogurt-eating experience.
The Jubili location is contemporary and clean, very Swedish or Danish in design sense. It wasn’t very crowded when I was there, just one other family enjoying their yogurt and another one coming in as I left.
It’s kind of hard to figure out frozen yogurt. Is it trying to be gelato or is it more a healthy snack? Yogurt is generally considered healthier for you because of the live cultures in it, but there’s been some debate on whether these Korean-inspired frozen yogurt (often made from powder) can make the same yogurt claims.
My most favorite frozen yogurt was found in Hawaii at yogurt stand at the Ala Moana Shopping Center. I forgot their name, but they had this wonderful original flavor yogurt that wasn’t very tart. And I’d top them with fresh cut strawberries that was just heaven. Unfortunately, the big mainland chain known as TCBY invaded the islands and this frozen yogurt shop closed down.
Anywho, my memories of frozen yogurt in Hawaii is my standard for good frozen yogurt. So how does Jubili stand up to that? Not really there because it’s a bit more tart than I’d like, but I like its creaminess. It’s an enjoyable treat when I’m in the neighborhood.
Jubili Frozen Yogurt and Cereal, 1515 Fillmore St. Open Mon.–Wed., 7 a.m.–10 p.m.; Thu.–Fri., 7 a.m.–11 p.m.; and Sat. and Sun., 8 a.m.–11 p.m. Web site.
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Monday, November 12, 2007
The Next Iron Chef: The Finale
Dueling with Swordfish
So it’s finally the finale, after six weeks and eight cheftestants. Hey, no one told me it was a black-tie affair! I hate black tie, but the Chairman looks good in his tux. After the obligatory montage of “how we got here” and scenes from the knife test at a basketball court to the grand dinner at the U.S. ambassador’s Paris digs, we switch to pure, Iron Chef America mode. Just the pulsating music and smoke machine gets me excited already. Let the battle begin!
We’re in kitchen stadium and so far it looks pretty empty except for Alton Brown, who’s also wearing a tux. Brown fits comfortably back in his commentating/hosting role of Iron Chef America, as opposed to his smug, annoyingly intrusive role as host in the last few episodes of NIC.
Brown introduces the two challengers and finalists, starting with Chef Clutch (Michael Symon). Wearing black, Symon has already got his Iron Chef battle face nailed down. We hear about his culinary rise to stardom with his Cleveland restaurants, and then there’s that laugh of his. It is booming.
All glowing in white, in comes golden boy Chef Big Easy (John Besh), who I had pegged for the finals from the very beginning. (Single Guy Chef pats himself on the back.) Looks like Besh cut his hair a bit shorter. Hope that doesn’t affect his superpowers. (Foreshadowing.)
Watching in the “skybox” are current Iron Chefs Bobby Flay, Cat Cora, and Masaharu Morimoto. Isn’t it weird how the Food Network doesn’t want to talk about Mario Batali? The rumor was that his contract never got extended with the network, yet they still mention his name and show his image on all these Iron Chef America intros. Weird. Hey, Bobby, sit up and stop slouching. You’re an Iron Chef, man!
The two finalists stand on opposite ends of the huge aluminum cover that contains the secret ingredient. (Well, not-so-secret if any of you saw previews at the end of last week’s show. Thanks Food Network editors.) It’s swordfish. With some pretty long swords, I might add. Both Besh and Symon look happy, grinning ear to ear. The Chairman does his “aaaaalleezzz cuisiiiiiine” and the two chefs start hauling away the fishes, with Symon adding a “who’s your daddy?” to show who’s boss.
Besh says his game plan is to be a warrior at heart and do what he does best, which is French-Creole-Southern-Louisiana-Jumbalicious cuisine. Symon says the first 10 minutes will be the most important in the battle, so he doesn’t waste any time and busts out a saw to hack away at the swordfish.
Both cheftestants are busy cutting into the fish, and in true Iron Chef fashion you know every part will be used. In fact, Besh is already roasting some bones to make a stock and I hear tell Symon is doing something with the neck. We’re introduced to floor reporter Kevin Brauch, who I can never seem to get past his odd pronunciation of words. It’s not like he’s saying something wrong, but the tone is just off in my ears. (Anyone who speaks Japanese and regularly watches Iron Chef America knows what I mean when you hear Brauch try to say “konbanwa” or “good evening,” usually right before he introduces the judges panel. Shivers.) Kevin does some mini recaps of what I just mentioned, but I’m mostly listening to Brown.It’s refreshing to get the old Alton Brown back. Here he is talking about the fish collar and stuff. This is where he shines. Wow, 15 minutes has elapsed. This is just flying by.
Commercials. Oh, the Food Network is doing a special holiday Iron Chef with Cat Cora and Paula Deen teaming up to battle Tyler Florence and Robert Irvine (of “Dinner: Impossible”). Sorry, but my money is on the guys. BTW, have you guys seen that commercial with Ben Stein talking about eating Alaskan seafood because it’s sustainable? Why is he wearing a suit and tennis shoes? Just asking.
Chef Big Easy is busy making corn blinis. Yum. Chef Symon just put some lamb tongues into the pressure cooker. Yuck. You have to give the guy points, though, for not shying away from exotic ingredients.
Brauch introduces the judges, thankfully without saying konbanwa. The judges from the series, food writer Michael Ruhlman, restaurateur Donatella Arpaia and Bon Appetit editor Andrew Knowlton are all smiling and happy, and also very dressed up. Knowlton just can’t seem to stop smiling.
While the cheftestants are busy making pasta, packing fish for immersion, and generally slicing up swordfish, Brown asks Ruhlman if he’s seeing Iron Chef action in front of him. Ruhlman says he won’t be able to tell without trying the food, but he likes what he’s seen so far. Donatella says something that I don’t remember, and Knowlton says he’s looking for creativity and someone who goes out of his comfort zone. Given that Chef Big Easy is cooking what he knows aka Southern cuisine, I’d say he’s at a disadvantage, at least when it comes to Knowlton’s vote. (Foreshadowing II.)
Floor reporter Brauch reports that a crusted swordfish is being seared. He goes over the ingredients and pronounces paprika as PAP-pri-ka. See what I mean? Shivers.
There has been very little dialog from the cheftestants so far, other than their video clips. But now Besh asks Symon how he’s doing, and Chef Clutch says he feels like a million bucks. Besh says he isn’t at a million yet. Maybe just a thousand right now. But with interest, he may catch up.
Brown takes this time to do a commercial for the new uniform for the Iron Chefs, which I guess will debut when the season begins next week. They had another contest for that, and the winning entry came from a mother-and-daughter team. OK, they talk about uniforms, but they don’t show any preview of what the winning entry looks like. And designer Mark Ecko is going to do the design, so what exactly did the mother and daughter do? Well, they got a free trip to New York at least.
Chef Symon seems to be doing really well, moving smoothly and now he’s already plating his marinated swordfish with salsa verde and a little neck clam. He’s also done with his swordfish cooked sous vide (slow cooked in a plastic bag). Typical sous vide results too: the fish looks uncooked and the color is bland. This is why I’m not a big fan of sous vide, even though it’s the in thing to do.
Commercials. For those of you in California, you’ve probably seen the PG&E commercials with the CFL light bulb talking to the regular old light bulb. I don’t think the commercial is that funny, but I do want to do a public service announcement and encourage everyone to use this energy-conserving bulb. You can find it in all the stores and it lasts for a long time so you don’t have to buy bulbs as often. Save the cheerleader, save the world.
The Chairman is pacing as usual. I wonder if he rehearses that pace? Chef Big Easy is poaching lobster tail to serve with his tempura-style swordfish. Actually both cheftestants are doing some kind of tempura dish. They’re also both doing some kind of pasta dish. This may be a close cook off. So far, I’m not digging Chef Symon’s plating. It looks simple and plain, and all on white dishes so far. Besh is also clean with white plates, but at least he does a bit more creative decorating with sauces.
Brown finally asks the three Iron Chefs about what they’re seeing. Bobby Flay says the two looks like they’re in good shape. Cora says something about staying strong till the end. Morimoto (and you know they had to turn on the subtitles for him) says he wants to see someone make dessert. Brown says he’s glad no one fired up the ice cream machine.
It’s not exactly ice cream, but Besh jumps into action to make a dessert dish—his seventh dish for the night. You know, both cheftestants only needed to make five dishes but Symon made six and Besh is now working on his seventh. It’s quality, guys, not quantity.
Besh’s team busts out some pastry dough that Brown says is like phyllo, but not really. So not really our friend phyllo but a distant cousin, brik. See? We learn so much on Iron Chef. Chef Besh is wrapping some swordfish concoction with marscapone cheese and vanilla and then deep-frying it.
Time’s up. Symon finishes a bit before Besh, who’s probably wondering about now whether it was a good move to make dessert in less than 10 minutes and using swordfish.
Judgment time. But Brown says there’s a twist from the Chairman. Instead of rolling out curmudgeon Jeffrey Steingarten, the judging will be done by the current three Iron Chefs. (Wow, what a slap to the face of the series’ judging panel who spent all those weeks eating and commenting. They get dressed up for the finale only to be told they won’t do the final analysis. I hope they at least get dinner.)
Brown throws it to the Chairman, who starts with the man in black, Chef Symon. Here’s his menu and comments from the Iron Chefs:
First course: Marinated swordfish with soy, sesame and yuzu, cooked sous vide style with lamb’s tongue underneath. He uses the old trick of loosening up the judges with a cocktail. Flay thinks the cocktail paired nicely with the fish but wondered about the tongue. Symon says he likes a bit of gaminess with his fish. Morimoto also thinks it’s a good start.
Second course: Olive oil poached sword fish, sliced thinly with cucumber and olives. Cat Cora thinks it looks like an Iron Chef dish but it didn’t have enough seasoning. Flay says it’s light to eat and has a lot of finesse.
Third course: Swordfish ravioli in truffle butter sauce. Cora thought the mousse inside the ravioli was more gritty than creamy. Morimoto says the fish has a mild flavor so he expects a lot more punch in the dishes from here on after the bland start from Symon.
Fourth course: Spice-roasted swordfish over roasted pineapple with pineapple salsa and a coconut and ancho chili sauce. Flay thought it was really balanced. Cora says it rocks. Morimoto does this weird thing with punches, doing these little pounding with his hands and saying in a quiet tone: “punch, punch, punch, punch, punch.” Everyone laughs. That Morimoto, what a joker. (Translation: Iron Chef Morimoto feels Chef Symon is slowly building in his flavor profile for his courses, getting stronger and stronger with each dish. Or like he said, “punch, punch, punch, punch, punch.”)
Fifth course: Crispy swordfish on a classic Greek sauce (I couldn’t understand the name; where’s the subtitles?!) topped with micro beets and greens. Cora felt it was bland.
Sixth course: Braised swordfish collar and chorizo stuffed into a clam paired with grilled swordfish. Bobby Flay does an “Oh. My. Gawd.” And Cora says “amazing.” Morimoto says “punch.” Looks like a home run for Symon on his last course.
Chef Besh presents his dishes:
First course: Seared and smoked swordfish. The swordfish smoked with applewood is under this cute little glass dome. It’s served with a corn blini and marscapone cheese topped with kettle fish roe from Louisiana. Besh also lubricates the judges with a glass of Louisiana wine. Flay says the fish was nicely smoked. Cora thought it was clever and delicate.
Second course: Besh calls this his swordfish crunchy roll—lobster meat wrapped with marinated swordfish served over buttermilk dressing. Bobby Flay says the dish is a trapping of an Iron Chef where you have so many ideas you want to execute but then the dish lacks focus. Ouch. Morimoto agrees, saying the swordfish has no flavor so it was overwhelmed when paired with the lobster.
Third course: Swordfish brandade agnolotti (this is Besh’s pasta dish). Cora says using the cheek was a bonus, and she liked the basil foam over the pasta. Morimoto likes it and calls it a success.
Fourth course: Breaded Swordfish. Besh ran white bread through the pasta machine to make thin slices, then baked with swordfish and covered it with hollandaise sauce. Flay says he likes all the ingredients, but he wanted something to cut through the richness—maybe heat or citrus? Cora agrees it needed something to jazz it up.
Fifth course: Chef Besh says this should have the pizzazz the judges have been waiting for (or at least he hopes)—blackened swordfish and shrimp in a broth made from fish head. Cora and Flay don’t think the shrimp was necessary. Morimoto is unusually quiet with his subtitles.
Sixth course: Swordfish piccata. Treating the fish like meat, he served it almost done with sautéed chanterelle mushrooms and a cauliflower puree. Hmm, doesn’t look good for Chef Big Easy. The judges have very little to say that’s effusive.
Seventh course: Swordfish dessert made with swordfish cream wrapped in brik pastry served with a reduced berry sauce. Flay says he couldn’t tell swordfish was in it, but he applauds the effort. Cora says she doesn’t taste the swordfish, and the secret ingredient needed to come out, or Besh shouldn’t have attempted it. Morimoto says “I like your challenging spirit.”
Besh says in his interview that the seventh dish was “do or die” for him. Either he’ll get extra credit for whipping it up, or he’d done himself in. We’ll find out after the break.
Commercials. California has a new commercial with Rob Lowe and a cast of other celebrities. Boy, did Maria Shriver’s hair get big.
This is the part of the show where they step away from the Iron Chef format. We’d usually get the announcement of the winner after the tasting, but instead we get a panel discussion like they have at those independent film festivals where you meet the stars. Brown is front and center and he’s flanked by the three series judges and the three Iron Chefs.
Brown asks the series judges to review how the two finalists did and really, at this point, do we really care? Let’s just find out if that Toronto Sun newspaper article spilled the beans and it’s true one of the two finalists has already filmed his new Iron Chef America episode? (Spoiler in the link, but really, you’ll find out in a few minutes below.)
Everyone agrees that Besh was slow and steady in this competition, while Symon had a shaky start but rose to the top with some surprising challenges. Knowlton just called Besh confident and somewhat “cocky.” Um, Andrew. Kettle. Black?
Brown then asks the Iron Chefs what they want to see in their new colleague, and Flay says he wants someone who can spin on his heals (it’s like Dancing With The Stars) and Cora says she wants a visualist (is that even a word?) who will interact with the audience while cooking. Morimoto says he agrees 100 percent with what Flay and Cora said. Everyone just laughs and laughs. Who knew Morimoto could be such a card?
Also, who knew Morimoto could draw? When Brown asks him who he’s voting for, Morimoto shows his decision-making process with these mini sketches of the dishes each judge presented. Then he starts talking about comparisons and scoring and it’s all a confused mess. The Iron Chefs speak briefly about whether it was a smart strategy to do a dessert at the last-minute. While some gave Chef Besh credit for taking a risk, Flay wonders if it was a smart risk to take when it’s the lasting flavor in the judges’ mouths? You see where I’m going with this, dontcha?
Instead of the typical Iron Chef scoring on taste, originality and plating, Brown just asks all the judges to write the name of who they think should be the next Iron Chef. This is just like grade school when you voted for who you wanted to be hall monitor. (I was always elected because I was such a nerd, but now I’m paying for it because I never hung out with the cool kids.)
Commercials. Did you notice Food TV has more commercials for itself than other advertisers? Or maybe that Ritz commercial with Rachel Ray is confusing me.
The Chairman is at his position, talking about the long road and hard challenges faced by the two cheftestants. Chef Besh looks worried; Chef Symon looks stern. Then in dramatic form (would we expect any less?), the Chairman unveils a big portrait under this red cloth and we get blinded by the spotlight shining off Symon’s head. Screams from the audience, and hugs all around. Oh well, so my favorite didn’t win as I predicted, but he came pretty close. And although I knew nothing about Symon before this show, I’ve learned that he’s gutsy, is a quick study, and is not a mechanic. He has his Iron Chef pose down so I’m sure he’ll do well as the latest chef to join celebritydom.
POSTSCRIPT: So the gossip on the blogosphere is that the vote for The Next Iron Chef was 4 to 2 in favor of Chef Symon, and the word is both Donatella and Knowlton voted for Besh while the three Iron Chefs and Ruhlman voted for Symon. Knowlton has some interesting insights about the final meals (scroll down to the Nov. 12 entry), which he thinks Besh succeeded. You'd think that more weight would be given to the final episode since this challenge of all the challenges in the series best reflect what happens in kitchen stadium. Big duh.
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Saturday, November 10, 2007
When Cupcakes Are Too Precious
On a recent weekend, I was wandering the Cow Hollow area in San Francisco and I already made a mental note to myself to stop by Karas Cupcakes for her deliciously moist and creative cupcakes. But as the bus I was on passed a new, cute cupcake shop on Union Street, I decided to get off and give it a try.
That Takes the Cake is a pretty small, narrow shop but I give it high marks for brand appeal. I mean, its décor caught my eye from the bus so it must be doing something right.
The store, open less than a month, is the brainchild of Saralynn Reece, who only sold her cupcakes through her catering company prior to opening the Cow Hollow location. Now you can just buy one cupcake from the store instead of the minimum order of a dozen online.
Walking into the store, you feel like youre in one of those trendy candy stores with glass chandeliers and oh-so-cute knick knacks for sale. To get to the cupcakes, you stroll down a long walkway to the back counter where the cupcakes are displayed and where Saralynn apparently has her mini office to juggle her new store and growing online empire.
Ive mentioned before that my regular day job (no, I dont get to cook all day) that pays the bill involves brand marketing. So Im always impressed when someone excels both in brand copy and design. That Takes the Cake does this well with its décor and cupcake names, giving off a sophisticated but down-home fun appeal. Saralynn uses traditional cake flavors like vanilla, chocolate devils food cake, banana or red velvet and dress them up with precious names like Sleepless in San Francisco (chocolate devils food cake with coffee buttercream), funky monkey (banana with chocolate and pecan pieces) or Gentlemen Prefers Reds ( the red velvet with cream cheese frosting).
The girls behind the counter were very friendly and helpful. On this day, I ended up trying one of the red velvet cupcakes ($2.75). The cake was very moist but lacked any distinctive taste. But then again, I think thats the whole idea behind red velvet cakesits just moist and red. The frosting should have made a difference, but I found it a bit too sweet and light. I wanted it to be creamier and rich, but it wasnt.
Overall, I thought That Takes the Cake was OK and the location is convenient when youre window-shopping on Union Street. But when heading to the Cow Hollow/Marina area next time, I think Id make the extra effort to go to Karas because their flavors are more creative and Im addicted to their cupcakes oozing with soft fillings.
That Takes the Cake, 2271 Union St., San Francisco. Open Tues.Sat., 11 a.m.7 p.m.; Sun., noon6 p.m. PH: 415.567.8050. Web site.
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Friday, November 09, 2007
The Chinese Way to Build an Appetite
When our family would go out to dinners at a Chinese restaurant, one of our favorite dishes among the kids was called shuen choy ngo yuk, which in Cantonese translates to mean "sour vegetables and beef." Shuen choy or "pickled vegetables" is made of mustard greens, and when done right is this tasty, crunchy, sweet-and-sour goodness. Mustard greens are perfect for pickling because of their thick leaves.
Chinese moms would believe that feeding kids pickled mustard greens would increase their appetite just like how eating something sweet will make you feel full. So my mom would allow us to order this dish, which is sometimes considered a very common dish, in order to get us to eat the other dishes she ordered that night.
The key to the dish is getting the right pickled greens. My dad would sometimes make this fresh from scratch and refrigerate it, ready for my mom to make the dish at home. But of course, we'd often just sneak in (OK, mostly me) and just eat the pickled cabbage, leaving very little for dinner. Ive never attempted to pickle the mustard greens myself, so often when I used to make this dish, I would go to a restaurant in San Franciscos Chinatown that was famous for selling jars of really fresh and crunchy pickled mustard greens. Now that I'm in Oakland, I just go to a store in Chinatown and buy the packaged ones that are mostly imported from Thailand. Above is a photo of fresh pickled greens sold on the streets at a market in Vietnam when I visited earlier this year. It brought back lots of memory of this childhood dish. Enjoy!
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Beef and Pickled Mustard Greens
Copyright 2007 by Cooking With The Single Guy
Ingredients:
6 oz. beef (sirloin or round tip), thinly sliced strips
1 package Chinese pickled mustard greens, diced (about 1 to 1.5 cups)
1 T soy sauce
1 T sesame oil
1 T Xiao Shing wine or sherry
1 T oyster sauce
1 T sugar
1 t grated fresh ginger
1 t ground white pepper
1 T cornstarch
1 T Canola oil
In a small bowl, marinate meat by mixing with pepper, soy sauce, sesame oil, ginger and Xiao Shing wine. Set aside for at least 10 minutes.
Remove pickled vegetables from package and rinse. Set aside to air dry and then dice into 1-inch chunks.
Warm Canola oil in a wok or skillet over high heat. Add beef (don't pour all the marinade in at once, reserve some for later) and stir-fry to brown all the sides (about 3 to 5 minutes) then toss in the pickled greens. Add sugar and oyster sauce and blend well. In a small bowl, mix a bit of water with cornstarch to create a slurry. Add this in slowly to your wok to create a gravy to bind all the ingredients together. If your wok is drying out, add more of your marinade or a bit of water or chicken stock. Garnish with toasted sesame seeds.
Makes 2 to 3 servings. Serve with steamed rice.
Pair with a glass of Pinot Noir.
TIP: The best pickled mustard greens to get for this dish should have a nice yellow-green color, not dull brown. It should also be crunchy, although sometimes thats hard to tell in the packaging. Most Asian grocery stores will sell pickled vegetables in vacuum packs. Fresh versions are sometimes sold in jars in the refrigerated section.
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Wednesday, November 07, 2007
Dish on Dining: Canteen
Make Dennis Leary Your Personal Chef
817 Sutter St. (at Jones), San Francisco
Nob Hill neighborhood
PH: 415.928.8870
Dinner with three seatings, Tues.–Sat.; lunch, Wed.–Fri.; brunch on the weekends
Major credit cards accepted; reservations recommended for dinner, no reservations for brunch
www.sfcanteen.com
Canteen is the type of comfortable hole-in-the-walls that you’d make a regular hangout for dinner in the neighborhood. But Chef Dennis Leary (not the actor who spells Denis with one “n”) has churned out such impeccable dishes from this 20-seat restaurant that he’s made it a culinary destination.
I mean, during my first visit to Canteen recently for brunch, I sat at the counter next to a couple of girls who drove up from San Jose for a weekend in the city. Canteen was the first stop on their list of “foodie places” to try.
Situated on the ground floor of the Commodore Hotel (which sounds fancy but the hotel was turned into dormitories for Academy of Arts students), Canteen opened in 2005 as a way for Chef Leary to escape the big kitchens (he formerly cooked at Rubicon) and experiment in the intimate settings of a tiny restaurant.
And boy is it tiny. The counter seats seven people and the four booths lined along the wall really comfortably seats just two people per booth (you can squeeze four into the front booth). The décor can be described as funky—part library, part Art Deco furniture store. And the tiny kitchen where Leary does most of his cooking could be the prep station at most restaurants.
Despite the space restrictions, Canteen blossoms as a full-fledge restaurant, offering dishes that are tasty and complete. While dinners can be quiet elegant, it seems the bigger draw is weekend brunch.
So that was my first visit. Canteen doesn’t take reservations for brunch, so one Saturday I arrived at 11:40 a.m. and took the last barstool at the counter. Soon after I sat down, there was a constant stream of people coming in checking on availability and putting their names on the waiting list.
The menu, not surprisingly, had a limited number of dishes. But I was surprised that it offered an even share of breakfast items and typical lunch entrees. I decided to start with the seasonal pumpkin soup ($6.50) and ordered the smoked salmon omelette ($9.25), mostly because I love lox.
The pumpkin soup had a beautiful color when it arrived, and was just as satisfying in taste. Topped with roasted sunflower seeds and parsley, the soup was aggressively seasoned with a mild squash flavor. What I mean by “aggressively seasoned” is that it had a strong savory taste but didn’t taste salty. My friends who are on low-sodium diets will probably think it is way too salty, but I liked it.
My omelette came with a fennel salad on the side dressed in a light vinaigrette and some toast with home-made marmalade. The eggs were perfectly done, encasing the salty lox inside and a big dollop of cream cheese. While I enjoyed eating the omelette and the fennel salad, I didn’t necessarily think the two married well together on the same plate. Still, each tasted delicious on its own.
Side note: My counter partner from San Jose had the blueberry pancakes, which she enthusiastically endorsed.
Feeling good about my brunch experience at Canteen, I decided to return a week later for dinner. Again, because the place is so small, reservations are recommended for dinner and you have to be aware of the seatings. When the place is open for dinner, you’re seated at either 6, 7:30 or 9:15 p.m. Because Chef Leary does all the cooking, the total number of people served (known as “covers” in restaurant lingo) is about 30 to 35 a night. That’s not a lot of people, which made me wonder how much money Leary can really be making in this intimate setting.
I ended up going to Canteen on a Tuesday night, which is also when a prix fixe menu is served for $38 (starter, entrée and dessert). Unlike other prix fixe menus, Canteen’s prix fixe doesn’t offer any choices. So in a way, it’s like a chef’s mini tasting menu because the decisions are made by Leary as to what will be served.
I walked in expecting the entire room to be filled like it was for brunch, but instead it was just me at the counter and two parties at two booths. That’s when I realized that the maximum
reservations per night are spread throughout the three seatings to make sure Chef Leary isn’t overwhelmed. (So a warning: if you plan to go to dinner alone hoping to chat with others at the counter, bring a book just in case no one is seated around you.)
My dinner started with an amuse bouche from the chef—a roasted duck and fresh porcini mushroom crostini. It was enjoyable, although my sliver of duck was a bit large so I couldn’t eat it in one bite, but the meat was cooked rear so it was difficult to bite into. Still, I did my best to eat it all as one bite.
Then came a celery root soup with salt cod, bacon and fennel. Even before the bowl hit the countertop, I could smell the essence of celery (and I personally love celery unlike some celery haters on some discussion boards I’ve visited). While this soup lacked color, it was full in flavor just like the pumpkin soup. I am now a fan of Chef Leary’s soups; I don’t think he can make a bad one.
The entrée was spice-crusted venison with seasonal fruit chutney and roasted potatoes. I had to laugh when I saw this on the menu because just the week before I was writing on this blog in my recaps of “The Next Iron Chef” about how so many of the cheftestants were cooking venison—it’s like the designer meat of the moment. I’ve never had venison, which is basically Bambi (OK, a grown up Bambi), but my server told me it’s very lean and less gamey now that a lot of venison are farm-raised.
The venison were served as medallion and perfectly cooked by the chef. It was red enough to be tender, but not at all chewy. While I could tell that the venison meat was very lean, it still tasted moist with the fruit chutney and the jus on the bottom of the plate. While I can’t say I’ll rush out and seek out another restaurant serving venison, I was glad that my first exposure to this meat was under the skillful hands of Leary.
The evening was capped off by dessert—lemon croquettes with pistachio sauce. While I’ve talked again and again about my wariness of eating fried foods, I can’t argue with croquettes
that have a light, thin fried layer oozing out with warm lemon curd when you break into them with your fork. I thought the additional lemon sauce on the plate was totally unnecessary, but that didn’t deter from the elegance and simplicity of this dessert.
I called this posting “Make Dennis Leary Your Personal Chef” because in many ways you’ll feel like Leary is cooking just for you when you’re seated at his intimate yet sophisticated diner. Leary must be the hardest working chef of his caliber in town because he is always behind the stove preparing the meals while keeping one eye on the room, directing servers to go to a table that might need attention or alerting them to when a plate is left sitting too long. He’s like a maestro in the back orchestrating the culinary symphony occurring up front. And when done right, the music wafts beautifully into the cool night of San Francisco.
Single guy rating: 4 stars (flavorful soups and elegant brunch)
Explanation of the single guy's rating system:
1 star = perfect for college students
2 stars = perfect for new diners
3 stars = perfect for foodies
4 stars = perfect for expense accounts
5 stars = perfect for any guy's dream dinner
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Tuesday, November 06, 2007
Beyond The Next Iron Chef: A Conversation with Chefs Chris Cosentino and Traci des Jardins
For those of you following my recaps of the Food Network show, “The Next Iron Chef,” you’ll know that this series boasted two amazing chefs from San Francisco. Traci des Jardins, a 2007 James Beard award winner and the chef behind Jardinière, Acme Chophouse and Mijita Cochina Mexicana in the city, had the distinct honor of being the cheftestant eliminated at the end of the first show. Chris Cosentino, executive chef of Incanto in Noe Valley, went as far as the top three but was eliminated in this past Sunday’s episode.
I was fortunate enough to do an interview with both chefs for my blog. Although they’re both in San Francisco, it would have been an organizational nightmare to find a time when the two busy chefs could be in one room. So instead, I did this interview via e-mail.
This interview was also compiled in the days prior to this past Sunday’s episode. So answers from Chef Cosentino don’t reflect his recent elimination.
One final note, I typically do these Q&A’s identifying myself as Chef Ben, which is the user name I made up for my blog. But being in the presence of such distinguished chefs, I didn’t feel it would be proper to call myself a chef in the same posting. With that said, the following are edited excerpts from my e-mail interview.Ben: What made you decide to enter this competition to be “The Next Iron Chef”? Some people say the stakes are higher for the competitors of this show because all of you have built up a reputation on your own already and a departure from the show may be viewed as a failure. Did that ever cross your mind?
Chef Chris Cosentino: I’ve wanted to be on Iron Chef since back in the days when it wasn’t even translated into English. This was the opportunity of a lifetime.
Chef Traci Des Jardins: I had a great time when I went on Iron Chef the first time, it was a wild ride, very challenging, but ultimately an absolute blast. Chefs and restaurateurs are in a risky business, I have always been an adventurer and am willing to take risks, this was no different really. Every time one opens a restaurant, they are risking failure and it is certainly true that many great chefs have tried and failed for whatever reason. The show is really no different, just a different medium. I, of course, knew going into this that it was a probability that I might not win, I was simply willing to take on that risk.
B: San Francisco was the only city to boast two Iron Chef contestants, even more than Manhattan. What do you think that says about the restaurant world in the Bay Area?
TDJ: I think that the Bay Area is a Mecca for chefs, restaurants and foodies so it is not surprising to me that they selected two contestants from this area.
CC: I’d attribute this to pure luck more than any attributes to the Bay Area’s restaurant scene.
B: What were you hoping to showcase about your cooking style or philosophy on the show, and do you think you had the chance to do that?
TDJ: I don’t think that I necessarily had a chance to exhibit my style and cooking philosophy given how quickly I was eliminated from the show and the challenges that I participated in. Given that the major challenge that I was eliminated in was pastry, and pastry with a curve ball, I think that it only really represented a very narrow area of abilities (or lack there of—LOL).
CC: I wanted to show that offal can take center stage in everyday food, and I had some opportunities to do that.
B: The two women in the competition were eliminated back-to-back on the first two episodes of the series. Pure coincidence or do you think this reflects anything about the current state of women in the restaurant business?
TDJ: I don’t think that the first two out had anything to do with the fact that we were women, we just happened to be the two women.
CC: The eliminations were based on particular food-oriented competitions on those days. To think they are reflective of the state of women cooking in America is inaccurate.
B: Chef Cosentino, in the science challenge you seemed really frustrated with the technical and scientific gadgetries you had to play with but then you were able to pull off the win. What did you do to deliver the winning razor clam dish? Are you going to put it on the menu at Incanto?
CC: I focused on one technique that made sense to me and tried to apply it to an ingredient I was familiar with. No, it’s not going on the menu.
B: After your win, you had the upper hand in the following week’s challenge when you paired chefs together. Did you have a strategy going into that challenge and do you think it worked? I have to say, Alton Brown seemed pretty suspicious about whether you really took full advantage of your position. Do you think you could have done more to sabotage your competition?
CC: This was not about sabotage but great cooking under pressure, so no, I don’t think I would have done anything differently.B: What were your thoughts about the judging process? You read reviews about your cooking, I’m sure, all the time. But here you’re getting instant reviews right to your face about your food. What was that experience like?
TDJ: We are rarely faced with that kind of immediate judgment, so it was very difficult. I think that it was equally difficult for the judges, these are three people who are dedicated to and live their lives in the food world—and who really love food and chefs—they are there to judge though and to discern what is the best in that moment, indeed a very difficult job. So the process was hard, for the judges and for us.
CC: It’s like everyday at my restaurant. Customers tell me right then and there when they like or don’t like something. At the restaurant I get to come back and fix things, on the show, I could get sent home.
B: All the chefs seemed to have a good camaraderie in the kitchen. Did you enjoy working with the other chefs and did you learn anything about cooking from your fellow competitors?
CC: Yes and yes. I talk to my fellow competitor chefs all the time.
TDJ: I loved all the chefs I worked with on the show—it was an absolute blast getting to know them and working together on that wild ride that was the “Next Iron Chef.” I don’t think that we really had time to learn about cooking from one another though.
B: All the contestants, including yourself, were previous competitors on Iron Chef America. Which was harder to do? Cook a secret ingredient in an hour or do the various challenges to be the next Iron Chef?
CC: The Next Iron Chef. Cooking in the Kitchen Stadium is a more predictable situation because you know what your equipment and playing field are, you just don’t know your ingredient. NICA had many more variables so it was more challenging.
TDJ: Not all of us had been competitors on the show. John (Besh), Morou, Michael (Symon), Chris, Aarón (Sanchez) and myself had all been on the show, Gavin (Kaysen) and Jill (Davie) had not. “The Next Iron Chef” was much more difficult, many more unknowns and unfamiliar territory and no support staff. As chefs we are used to working together with large teams of people all of the time, we are collaborative by nature, perhaps the most challenging aspect was not having a team to bounce stuff off of, although we did collaborate with each other to some degree.
B: OK, I’m sure you can’t say anything about the finale or the winner, but can you say who you think should be in the final match up and why?
CC: I’m unable to comment on this. (Again, just a reminder that Chef Cosentino answered these questions before this past Sunday’s elimination.)
TDJ: There are three left at this point, obviously they are all very worthy and the finale will be a great one.
B: What’s next for the both of you in your food life? Any changes we should expect to see at your restaurants? Working on any books? Any chance you’ll be on TV in the near future again?
TDJ: I will keep doing what I have been, running my three restaurants, trying to make them the best they can be every day. Jardinière just celebrated its 10 year anniversary and I want to make the next 10 as magical as the first. No book projects currently and I will always be open to doing TV again.
CC: I’ve just launched Boccalone, an artisanal salumi company and I’m at work on the definitive cookbook on offal. As for future TV appearances, stay tuned to see what happens...
My thanks to Chefs Cosentino and Des Jardins for taking part in this interview.
The finale of The Next Iron Chef airs this Sunday, Nov. 11, at 9 p.m. on the Food Network. Photos courtesy of the Food Network.
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Monday, November 05, 2007
The Next Iron Chef: Episode 5
Viva la Lobster Roll
Previously on the NIC: The four cheftestants took flight with the Top Chef-airline-food do-over, but it’s Chef Aarón Sanchez that’s left grounded on the tarmac. Tonight: Chef John Besh is changing his name to Jean Besh and is getting all French with his bad self. The final three are planning a party at some big estate in a style that can only be thrown in Paris, or the parlor of Elton John’s home.
It’s getting close to the finale and you can tell by the pre-show interviews with the final three that they can taste victory (or as we learn later in the episode from Chef Clutch, or Michael Symon, it’s victoire). The three arrive in Paris, a very cold, damp and wet Paris. (Chef Symon and Chris Cosentino, I have a message from your moms: “Did you leave the house without your coats and mitts again?”)
With the iconic Eiffel Tower in the background, the three walk up to Alton Brown, who’s dressed mysteriously in a tan trench coat looking like he’s about to pass the latest clue for solving the Da Vinci Code. With his obligatory French greeting, he mentions that Paris is one of the Chairman’s favorite cities in the world. But still, that hasn’t enticed the Chairman to make a personal appearance because we still get the Chairman-in-the-Box, revealing the latest challenge.
The Chairman says Paris is the place where people come to gain culinary knowledge, and as Iron Chefs they’ll need to be “commanders of the kitchen.” So we can guess that this episode will focus on the oddly named culinary skill of “lead and inspire.” (I say odd because I would have just labeled the skill as “leadership,” and by definition most leaders are inspirational. The Chairman needs an editor.)
Brown passes out red envelopes containing 2,000 euros (or $2,500, dang the dollar sucks in Europe) and gives the cheftestants three hours to grocery shop for a three-course menu for 20 guests later that night. The menu must represent the best of American cuisine. Chef Big Easy (Besh) asks where they’ll be cooking, but Brown won’t tell him and pretends to keep it a secret. For the viewers, we already know because the Food Network editors are awful at building suspense. Still, I won’t be a spoiler on the exact estate they’re cooking at.
Chef Bad Boy (Cosentino), who’s known for his Italian culinary style, says being asked to cook American food in France is “twisted.” Like a pretzel? They all run down the steps to three unmarked vans waiting for them. Cosentino gets there first, followed by Besh and Symon picking up the rear. So any viewers of “The Amazing Race” will know what happens next. Yep, Cosentino gets in the first car but it’s the one with the clueless driver who doesn’t know his way around the city. (And yay to TAR returning on CBS. That gives me another hour of unscripted television to watch for the next few months with the writers’ strike officially beginning today.)
The next few shots are of the three cheftestants (well, Besh and Symon, at least, since Cosentino is still circling the Paris streets with his driver) shopping at a variety of French stores with Chef Big Easy looking all calm and sexy speaking French. I have to say, I loved shopping in Paris when I was there. The stores were quaint and sophisticated, the ingredients always top-notch, and the displays were fantastic. Looks like the cheftestants are getting the same experience.
So as they’re shopping, we get an idea of the cheftestants’ menu formulating in their minds. Besh is buying crab meat and caviar, so you know he’s highlighting his New Orleans roots (or as he says later, Nouveau Orleans). I’ve learned so many French terms on tonight’s episode that I’ll probably never use in future conversations.
Chef Bad Boy, finally out of his van and shopping, is looking to make a Philly cheese steak while Symon’s going wild for all the wild strawberries in a store, buying the whole lot. Besh is going on and on about all sorts of things he’s thinking of making. He is really excited about this challenge.
Chef Symon drops more than $700 to buy fresh lobster, which he says he’s going to make into a lobster hot dog. Huh, I don’t think I’ve been in any ballpark in the United States that offers a lobster hot dog, but I’d sure like to try one. (And you can bet either Fenway Park or AT&T Park in San Francisco should be the first to have it in their stands.)
Commercials. Kia and the traveling giant red ball on a stick. I still don’t get
it. (BTW, the rest of the commercials throughout this episode were so boring that this was, unfortunately, my first and last commentary on the commercials for the rest of this recap.)
Chef Cosentino is running around buying a whole lot of food, and now he’s searching for burrata cheese, which he can’t find but find’s something close. The French sales clerk at the cheese shop seems almost shocked that Cosentino says he plans to make a sauce out of the cheese he’s buying. The guy says the cheese is too expensive to make into a simple sauce. But Cosentino says he doesn’t care about the costs. Oooh, how bourgeois.
Chef Big Easy is buying something called Cock’s Comb. Come on, he said it, not me. (I’m still not clear what it is but I think it’s the rubbery red part of the rooster. I’ve seen online definitions referring to it as a flower. I’ve also seen spelling like coxcomb, which is probably more acceptable for a family paper.)
Done with their shopping, the cheftestants arrive at some big estate, still not sure who’s their host. Chef Besh is feeling pretty smart that he wore his blue blazer, compared to Symon and Cosentino dressed in T-shirts and jeans.
Brown’s waiting for them outside the huge palace-home, and informs them that the home used to be owned by a baroness, and then someone from the Rothschild family. But now it’s the home of the U.S. Ambassador to France, Bush fund-raiser and distant in-law Craig Stapleton. Talk about political plums. Stapleton does the obligatory greeting and lets them know they’ll be cooking for a bunch of French cooking snobs, err, guests.
Inside the enormous kitchen (how much does one ambassador eat?), Brown tells the cheftestants that an Iron Chef must be able to lead a crew into battle in kitchen stadium. So the Chairman has assigned each of them a sous chef, who will help them during this challenge.
The three sous chefs are from France, but they all seem really focused and appear to take instructions well. The cheftestants look excited about this challenge. In fact, I think Chef Bad Boy is doing a little dance before he gets cooking, or is that his imitation of Rocky? They have three hours to finish their three courses.
Chef Big Easy works on his chicken and dumpling. He’s really emphasizing his Southern cooking, which is definitely his style but I thought the judges said a couple of weeks ago that they were getting tired of that? Chef Clutch (Symon) in the meantime is having a lot of difficulties with all his equipment and he looks like he’s stressing out. He’s also making meat loaf with ground liver. And you know what? It looks just like how it sounds.
Cosentino is making a lot of noise in the kitchen, running all around, and Besh calls him “a loud American.” Besh, in the meantime, looks confident and is quietly working in between snippets of French he’s throwing around to maintain his sexiness.
One hour is left in the cooking, and I’m surprised that in this episode Brown isn’t annoying all the cheftestants with his smug self. His annoying questions are held down to a minimum, giving us a clear view of the cheftestants working on all their three dishes.
The guests arrive, starting off with a fancy-shmancy (got that from Amy) cocktail party at the garden.
Chef Symon starts working on his truffle potatoes. Cosentino is mad at himself for dressing his lettuce too early (now they’ll be a bit wilted at service), and Besh shows the first signs of frustration over a fryer. The cheftestants move into presentation mode and they all have to run up some flights of stairs to the dining area to lay out their food. What was odd is that later in the show the plates were brought to the guests at a table, so not sure who the presentation was for and if anyone even saw it?
Time’s up. And Brown yells out: “No more foodie touchie.” What? Is this kindergarten?
Dinner is served, and the judges are mixed in with a bunch of guests. I feel sorry for judge Michael Ruhlman who seems to have been seated next to a food critic who has an opinion on every dish and food ingredient used or not used.
For the first course, Chef Big Easy delivered a crab meat BLT with a fried oyster and caviar, Chef Bad Boy made a lobster roll as a homage to his New England upbringing, and Chef Clutch also served up lobster but in the form of a hot dog. Plus, he does this really loud thunderous laugh but I already forgot what was so funny.
Judge Donatella Arpaia, the restaurateur, loves Symon’s hot dog, and so does a French woman two seats down, who says she loved the texture. The French guy thought it was a crime to hide caviar behind bacon (Besh’s dish). Gosh, these French people are critical, but you know what? It’s the most insightful and discerning comments all season. Hmmm, if I were the judges, I’d be looking over my shoulders.
Next course: Besh offers up his chicken and dumplings, Chef Symon shows off his veal meat loaf with duck liver and truffle mashed potatoes, and Cosentino presents his Philly cheese steak, which looks more like a deconstructed cheese steak without the bun. The meat loaf gets mixed reviews and Donatella is looking for the speck of crouton on her cheese steak.
Final course—dessert: Chef Cosentino does this college trick where he shoots up melons with alcohol, calling his dish Melons and Moonshine (using grappa and honey). Symon makes a rootbeer float that looks very red, white and blue with his blueberries, strawberries and cream. Besh talks about his four sons eating watermelon every day and how he made a strawberry shortcake with watermelon sorbet. It’s presented very nicely.
At the end of the meal, Donatella and Brown have this weird interchange when Donatella’s talking about how there’s a sure winner in some people’s eyes and Brown is getting all bossy saying there shouldn’t be a winner in this challenge, just a loser with the other two named the finalists.
The guests are gone and the judges and Brown are assembled in one of the rooms and they start to pick away at the dishes. Ruhlman loved Besh’s crispy oyster and the complexity of the dish. They don’t seem to like the lobster roll from Cosentino, and Andrew Knowlton is getting a bit superior about food knowledge by questioning Donatella’s knowledge of what makes a proper lobster roll. It’s bad enough that he asks, “Do you know what you’re talking about?” But he adds another twist of the knife by adding “do you?” for good measure.
Knowlton’s favorite is Symon’s veal meatloaf with the chanterelle gravy. But they all couldn’t taste the truffles in the mushroom. (The judges probably didn’t know that Symon couldn’t find fresh truffles so he used a truffle paste. And what’s odd about that is Ruhlman says he thought he had one sliver of truffle on top of his dish. So what exactly was he eating?)
In the dessert round, Ruhlman felt the cheftestants’ offerings really summed up their cooking style. And in case you didn’t get it, Ruhlman sums it up for us this way: Chef Besh with a complex and composed shortcake, Chef Symon’s playful and little sloppy rootbeer float, and Chef Cosentino’s bold, hearty and simple melons.
Donatella thought Cosentino’s alcohol-infused melons were simple, but she liked the execution, saying she’s had bad melons. (Which frat party was that Donatella?) But she wonders if the dish was worthy of an Iron Chef. Knowlton, of course, wrote it off as just a fruit salad.
Ruhlman liked the execution and presentation of Besh’s shortcake, but he didn’t like eating it. (He explains later on his blog that he found out Besh used store-bought biscuit, which is probably why he didn’t like it.)
At nightfall in the City of Lights, the three cheftestants return for judgment. Brown says he’s really proud of the three, and says they represented their country well. Since they’re not naming a winner, Brown stretches out the suspense of who’s going home, but really, the writing was on the wall all along that it’d be Cosentino. In fact, it would have been a shocker if Cosentino made it to the final over the surging Symon and the constant front runner Besh. Still, the sad music plays after Brown finally announces that Cosentino will not be the next Iron Chef.
Chef Cosentino says his goal was to make it to the finals. Just a tad short of that goal, he still feels proud that he made it to the final three and went out with a strong showing. He gets hugs from his fellow cheftestants and as he leaves the room, we see his blond faux hawk perfectly backlit from the studio lights.
That leaves Chef Big Easy (Besh) and Chef Clutch (Symon) as the final two, making them the finalists to go head-to-head in a winner-take-all battle in kitchen stadium. Despite Symon’s strong showing in the last few episodes, my bet is still my initial guess, John Besh. Let’s see if I’m right next week.
Next time: It’s the finale of the series and the Chairman finally makes an appearance. The final battle is fittingly in kitchen stadium, and Iron Chef Bobby Flay is there to dispense advice. And this being the Food Network, we already get a spoiler on next week’s secret ingredient. Looks like sword fish.
Coming tomorrow: Check back here Tuesday night when I post my special Q&A interview with the two San Francisco cheftestants—Traci des Jardins and just-booted Chris Cosentino.
The Next Iron Chef airs Sundays at 9 p.m. on the Food Network with repeats at the same time on Thursday. Finale is this Sunday, Nov. 11. Photos courtesy of the Food Network Web site.
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Sunday, November 04, 2007
No Dumping at This Tea Party
A few nights ago, I was invited to a tea event put on by Lupicia Fresh Tea at the
The store was closed for the night and San Francisco-based authors James Norwood Pratt and Jennifer Leigh Sauer (who’s primarily a photographer) were the featured guest speakers, talking about tea and their respective books on the tea experience.
BTW, all the brass was out for Lupicia, which interestingly added “fresh tea” to their names as an added emphasis on the quality of their tea. Lupicia, which I was first introduced to in
When I first arrived, I was greeted by this huge bowl of this tea refresher. It’s made with mango oolong tea, fresh mint and vodka. Who knew you could spike your iced tea with vodka? It was really refreshing. Just as refreshing was the non-alcoholic offering ….
... This beautiful drink made with green tea powder and grapefruit juice. I’m still not really sure how they kept the grapefruit juice and green tea separated, but it was very tasty.
Along with the drinks were a variety of tea cookies. On the extreme right is the “matcha roll,” which is a sponge cake made with green tea powder (the “matcha”). Next to it is a regular vanilla cookie and a genmaicha cookie (made with the toasted green tea) and finally a shortbread cookie with chocolate and black tea. They all looked delicious (but sorry to say I didn’t sample any of them since I was full from an early dinner).
Here’s James Norwood Pratt speaking about the “cult of tea.” He’s written several books on tea, including the “New Tea Lover’s Treasury” and “The Tea Lover’s Companion.” He’s very much the tea professor, and he says that when he first started writing about tea in 1982, sales of tea in the
Jennifer Leigh Sauer is actually a photographer who fell in love with tea less than two years ago. She was so inspired that she went around
Lupicia set up various tea stations where we could try 10 varieties of tea, from black to red to green to herbal. I love the cute small porcelain cups used to taste test the tea. You know, in old martial arts movies I saw growing up in
Here's an herbal tea called Adagio that has African roobios tea with grapefruit and lemongrass. Right next to it was one of my favorite teas, another herbal tea called “Sweet Dreams.” It had a slight citrus undertone that was very … zzzzzZZZZ.
I asked Pratt what is his favorite tea of the moment, and it so happens, he says, that it’s
What’s nice about these private events is that the sponsors often share things they wouldn’t normally share to the general public. So on this night, Lupicia busted out these high-grade award-winning oolong tea from
The Dongding Oolong tea was so delicate and complex at the same time. It was perfectly brewed by the Lupicia staff and it was served with a sniffer bottle to allow us to enjoy the tea’s fragrance before drinking the tea. The tea itself had almost a nutty flavor, almost like almond. It was yummy, but I probably won’t be getting any because it sells for $1,000 per 100 grams.
It was a fun, enjoyable evening hearing tea lovers talk about tea and getting to taste some first hand. If you’re ever in the Westfield Centre, you should stop by Lupicia (or any of its other Lupicia Fresh Tea, San Francisco Centre, 845 Market St., San Francisco. (Second location at Stonestown Galleria.) PH: 415.227.0533.
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Saturday, November 03, 2007
What's New at Sketch? --CLOSED
UPDATE, 07/13/09: The owners are having their first baby (congrats!) but that means they want to focus more attention to the family. They're closing the retail store as of July 26, 2009.
Sketch, the high-end artisan ice cream store in the equally high-end Fourth Street shopping district in Berkeley, had been closed for the last few weeks supposedly to renovate the interiors. Since today was an unusually warm day in the Bay Area (it's like a late Indian Summer just as we lose an hour with daylight savings time ending), I thought it would be a good opportunity to check out the new Sketch.
I have to say, it doesn't look much different. I actually can't show you too much of the inside because Sketch is the first place I've visited in my one year of blogging who caught me photographing and clamped down on me. So these are just photos taken from the outside.
The inside looks a little more sleek, like some bright lounge serving cocktails, but it doesn't look any bigger. The menu offers more variety of things like fudgesicles and ice cream sandwiches, but very few flavors. There were only six flavors today when I visited, and they weren't necessarily anything exciting. (Things like vanilla bean, Straus yogurt, Earl Grey tea, cinnamon stick, etc.)
The counter no longer displays the ice creams, instead it just includes the prepared treats like frozen bananas. When you order, they scoop the ice cream from the back counter. I ended up getting a small cup of the vanilla bean ice cream with persimmon compote toppings. This came out to $4.25. For that price, I expected a nice scoop of ice cream, but it wasn't very big. The cup is so small, you might mistaken it for a sample cup.
The ice cream itself was fine, but nothing spectacular. With the emphasis on vanilla "bean," I expected to see the sure-sign specks of the actual vanilla bean but the ice cream was pure white. So either they sifted the ice cream through a sieve before freezing or they didn't use a real vanilla bean. The texture was also like soft ice cream or frozen yogurt. It didn't have that nice thick creaminess of ice cream that I've experienced at places like Ici or Bi-Rite Creamery. (On my way home on the bus, I passed the Ici store on College Ave. and I was tempted to get off to get a real cup of ice cream.)
Sketch Ice Cream, 1809 4th St., Berkeley. PH: 510.665.5650.
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Friday, November 02, 2007
Soup for Cilantro Lovers
I haven’t had time recently to cook, being busy doing interviews and preparing for the Chronicle’s Thanksgiving cook-off. (Go Team Tara! That’s my team, FYI.) So sometimes I need something quick and easy, and one thing that’s super easy is this recipe for beef and cilantro soup.
This soup is actually a mainstay in many Chinese restaurants. Growing up in Hawaii, our family went out to eat every Saturday night at a local Chinese restaurant, and this was one of the regular soup offerings we would order. (The others were often cream corn soup, rainbow tofu soup and crackling rice soup.) This was one of my favorites because of the clear broth and simplicity, plus the aroma of all that cilantro.
Now, if you don’t like cilantro (known as Chinese parsley in Hawaii because it’s used as a garnish in virtually all Chinese dishes) then this isn’t for you . I had a co-worker in Hawaii who hated hated hated cilantro. Just talking about it made her throw up just a little bit in her mouth. Just a little. And once when I raved about how this was one of my favorite soups, she stared at me like I was from Mars, it was so alien to her as to why I enjoyed this luscious and aromatic herb. Some people are just so against cilantro. Lucky for me, I’m not. I hope you aren’t either because this is a lovely light soup on a cold winter’s night. Enjoy!
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Minced Beef and Cilantro Soup
Copyright 2007 by Cooking With The Single Guy
Ingredients:
5–6 oz. ground beef or ground veal
½ bunch of fresh cilantro, minced
2 ½ cup chicken broth
1 cup water
1 t white pepper
2 t sesame oil
1 T fish sauce
2 T cornstarch
1 T Canola or other vegetable oil
salt
In a mixing bowl, add sesame oil, white pepper and fish sauce to the beef. Set aside for about 10 minutes.
In a saucepan, warm Canola oil over medium high heat and then add beef, breaking up into bits. Cook until the meat is brown everywhere (about 3 to 5 minutes) and then add broth and water. (You may also want to drain some excess fat oil that came from the meat before adding the broth.) Bring to a boil and immediately reduce to a simmer. Cook for about 10 minutes. Remove from heat and toss in minced cilantro. Season with salt to taste. Serve immediately.
Makes 3 to 4 servings.
TIP: It’s important to add the cilantro at the very last minute. If you add it any time earlier during the cooking process, the cilantro will get super soft and lose its bright green color, turning into a murky green. Believe me, that’s not appetizing.
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Single Guy Ben
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Labels: Recipe
Thursday, November 01, 2007
TV Dinner: A Conversation with Joey Altman
When I moved to the Bay Area in the late 1990s (this was my second of three moves to the Bay Area in my life), Comcast Cable didn’t offer The Food Network on any of its basic cable packages. So I got my cooking fix from the chefs on PBS and locally on KRON4-TV with Bay Café and its chef host, Joey Altman.
Originally from New York, Joey (OK, how can you call a guy by his last name when he’s named Joey?) cooked in places such as France and New Orleans before arriving in San Francisco where he worked at Stars and Miss Pearl’s Jam House—serving up Caribbean- and African-inspired dishes. But most people know him as the man with the boyish charm cooking with Bay Area chefs and sipping cocktails at some of the area’s trendiest places on Bay Café, which has received three James Beard awards for Best Local Cooking Series (2000, 2001 and 2006).
The show is currently on “hiatus.” (KRON4-TV, which became an independent station a few years ago, now works under a model similar to PBS where shows are supported by a particular sponsor instead of just ads. Bay Café is currently looking for a sponsor.) Since Joey has a break from taping episodes, I got together with him recently for lunch to talk about the show, what he’s working on now and a bit about his chefs’ band, the Back Burner Blues Band.
We met at Pancho’s Salsa Bar & Grill in San Francisco’s Inner Richmond neighborhood for some tacos, tostada and quesadilla. With Joey was his 3-year-old daughter, Piper, whose birth (fans of the show will recall) was featured on an episode of Bay Café. Of course with Piper along, we went for ice cream afterwards around the corner. (In the photos, you’ll see that Piper did her best to keep her dad distracted.)
The following are edited excerpts from the interview.
Chef Ben: When you are working on Bay Café, how often do you tape the show?
Joey Altman: It depends on what we’re doing. Each show is different. Sometimes we can do a whole show in one day. Some days the segments are involved, so we’ll only shoot a segment or maybe two segments in one day and the next day or the following week we’ll do another and we’ll put it together in the editing room for a whole show. … For the last few years we’ve only been doing 26 shows a year.
CB: How many years have you been doing the show?
JA: Nine years, 578 shows. Many, many episodes.
CB: How do you think Bay Café has changed over the years? When I first started watching, you were mostly demonstrating a recipe or cooking a meal. Then it seems to have broadened over the years to more.
JA: We were very fortunate to have a producer come on board a few years ago who’s an Emmy-award winning producer/journalist, and she really saw the ability for the show to take on broader topics and go wider, deeper into subject matters. And since we were no longer bound to the studio, we could go on location and really explore different concepts that were always food-based.
The mission statement that I developed at the beginning of the show was that Bay Café was to be a celebration of the culinary landscape of the entire Bay Area. So not just San Francisco-centric. I get a lot of requests for the show to explore negative food topics. … Like the use of GMOs (genetically modified foods) or obesity or any of those food topics. While they’re important, I always wanted to keep the show an upbeat celebration of the food theme.
… The show has developed in a way that I think has allowed me as well as our audience to experience more than just how to make something. It was either the story behind it or the people who are on the peripherals and just see a little bit more shades of gray, if you will.
CB: What was your favorite thing to do on the show? Was it visiting a new restaurant or working with a chef in the kitchen?
JA: The show is such a gift to me because it gives me so many different experiences. I love meeting and working with new chefs. I love meeting up and cooking with my friend chefs. … But I also love meeting people who I would never meet because they’re just not in my day-to-day life. And travel out to a restaurant in Pleasanton or a cheese maker, sausage maker, or winemaker in another county. We’ve done shows where I’ve had everyday people who are good, passionate, strong cooks, who we’d come across.
CB: This is a small thing, but I’ve always wondered when TV chefs react to food on camera with such gusto whether that’s an honest reaction. How about when you’re on Bay Café? How do you handle a situation where you taste something that might not be that great?
JA: Actually, and I’m not just saying this to brag or anything, but a lot of thought goes into the recipes that we’re going to do and I can’t remember a dish that I’ve actually made myself that I didn’t like. Some I really like a lot; some I think are just good. … But when other people are cooking, 99.9 percent of the time it’s been good.
I can remember one time, and I don’t even remember who the chef was, but we were doing a pork tenderloin. This was early, must have been our first or second season. The chef was a caterer from the North Bay and he was doing a roast pork tenderloin dish with a cherry sauce. Now on paper it sounded fine. It was around the winter and Thanksgiving time, so I thought maybe he’ll use dried cherries, I wasn’t sure. The recipe just said a cup of cherries. And cherries definitely weren’t in season at the time so I thought it’ll be interesting to see what he’s going to use. And he literally opened up a can of cherry pie filling and heated that up and added nothing to it and sautéed this pork loin and spooned this cherry pie filling over it. I remember taking a bite of it and it wasn ’t good, but I wasn’t going to say “you know, I don’t care for this.” I just said, “This is interesting.”
And as far as I’m concerned as the host, my job is to be the best, gracious host-conduit to the audience as possible for my guests, because really, the philosophy of the show is I’m there only to facilitate and make it watchable and give my guests the best stage possible to present what they’re doing and not upstage them in any way or make it about me. So in a situation like that I just talked about the things that were positive about it. “This is easy, you just need to open a can and heat that up. That is easy for sure, and an interesting way to use what would normally be a dessert filling with roast pork, huh?”
CB: How do you decide which restaurants get featured on the show? Do you or the producer decide?
JA: We both. What we try to do is we have this really complex matrix, and we’ll do this in the beginning of the season. We’ll say: “What do we want to accomplish this season? What broad topics do we want to look at so we’re not redundant? And what new restaurants are coming on line that we want to feature?” And then at the end of the day it’s, “What are we in the mood for, what are we interested in?”
And we’re a small crew—me, the producer, and the cameraman. … Because we’re a small crew, we can really work on the fly and go, you know, let’s not do that this week, let’s just go to that restaurant we read about or that person told us about. So it’s really very loose.
CB: It must be easy in the San Francisco Bay Area where there are so many great restaurants to feature?
JA: The show can literally be on one every day in perpetuity and never run out of material. It’s ridiculous. The shows that I love doing are the ones that feature small places. I love doing small places. Places like Postrio, Masa’s, Boulevard, while they’re great and fun, I get more joy out of doing places like Swan Oyster Depot or P.J.’s Oyster Bed or Nate’s Barbeque because they have so much color and character. And they’re the ones that deserve that kind of attention. Those are the ones who really need it, the small mom-and-pop places.
CB: Which places do you like to go outside of the show, just for yourself?
JA: Well, with three kids it’s hard to get out that often. But every now and then we’ll steal away. My wife is in the business (she’s on the finance side, now with the PlumpJack Group’s Jack Falstaff restaurant) so she knows a lot of people. And we definitely like when we go out to patronize our friends and help them out. We appreciate when people are nice to us and comp some of our stuffs, but we really like to go out and spend money because we know every dollar that you spend in a restaurant is a dollar very much earned at these places. So we’ll go to Delfina. I go to A16 quite a bit. Gary Danko—we’ll go to the bar a nd sit there and have a glass of champagne and some appetizers. We love that.
CB: So what are you up to now?
JA: I’m a consultant now for a few restaurants and a few food products and a wine group. So I get to do a lot of my recipe development and marketing stuff from home.
CB: Have you been consulting for awhile, even while doing the show?
JA: Even when we were in full production (of Bay Café) my work week was two days a week, at most. So it allowed me to do a lot of other things. Having the celebrity notoriety from the show opened up a lot of doors for me that normally wouldn’t be there for me.
CB: Has being a celebrity chef changed your life in any way? Do people recognize you walking down the street?
JA: Yeah, I don’t walk, I skip. (laughs) No, it’s a double-edge sword. I was talking about this with my older daughter yesterday about how being a celebrity just for being the sake of a celebrity is not really interesting, because people make these assumptions about you that’s based on such a small slice of your life that they know.
And it’s always very nice when people come over and say, “oh, I’m a big fan of your show. I love your show. We watch you all the time.” That’s fine, but then there are people who think it’s OK to come up to you when I’m changing her diaper (he’s pointing to his daughter Piper) in a bathroom in a mall and somebody would come over and start up a conversation with me. It’s just like, there’s a time and place. I think people think that you’re a celebrity and they have access to you.
CB: Does that ever make you wonder how much longer you’d like to be on TV and being a celebrity?
JA: Oh no, I’m not that big. I was doing something with Tyler Florence not too long ago. Now here’s a guy who can’t go anywhere without people stopping him. And it forces you to behave in a way that’s not really you. You don’t want to be sort of rude or abrupt, but if you’re not, people will consume you.
CB: Do you still cook and work in the kitchen?
JA: Yeah, and I love that. It gives me an opportunity to do what I love to do, where on the show I literally would cook for 30 minutes and that was it. So I cook a lot at home. I cook also at a restaurant down the street here and I did the opening menu and got to really spend weeks at a time in the kitchen and that was great. It was also great getting out and not having to be there forever.
CB: There’s probably a difference between developing a menu and then getting out, and staying as an executive chef and cooking every day and night?
JA: I have very little desire to have my own restaurant. While I would love to have an equity position in a restaurant as a partner, the day-to-day operations, I don’t miss it. There are too many variables that are out of your control that you have to deal with. You know, I’ve got three kids and that’s enough uncontrollable variables in my life right now.
CB: Do you adjust what you cook at home because of your kids?
JA: Oh, no. I still cook what I want to eat for me and I make them pasta with butter. No, my palate hasn’t gone down. I still cook for myself and I’ll put it on the table at the same time, knowing that they’ll slowly acclimate and try different things. Like two nights ago I made a dish that I’m working on for a project I’m doing, and it was a chicken dish with dates and ginger and these roasted padrone peppers. And my 13-year-old who up until very recently wouldn’t even touch pepper—salt was it—is now starting to try things, so it’s fun to see their palates develop.
CB: What else do you have planned for the near future?
JA: The big project I’m working on currently is an opening of a restaurant in Jack London Square called Miss Pearl’s Jam House.
CB: Weren’t you involved with something with the same name when you first started your career?
JA: Yeah, it was my first restaurant chef’s job. I opened Miss Pearl’s Jam House in 1989 at the Phoenix Hotel with Chip Connelly, who’s the owner of many hotels now. That was his first hotel back then, and he’s involved with this project at Jack London Square and it’s right on the water and he called me out of the blue to say, “hey, we’re doing this project and we’re thinking of doing a Caribbean restaurant here and I wanted to know if it’s OK with you if we use the name Miss Pearl’s Jam House?” And I said, “absolutely, that’ll be awesome.”
So we started to talk and he said “would you like to be involved?” And I was like, “yeah, that’ll be great.” So I’m going to be the consulting opening chef. I’m going to write the menu. They have another chef there, a great chef named Jennifer Cox, who was based here in San Francisco for awhile, and I’m going to work with her and help basically bring that vibe back and create a menu that’s sort of inspired by the food of the sun. There’ll be some Latin American stuff, there’ll be some Caribbean stuff, Flori-bbean. They’ll be very healthy, but at the same time big, bold flavors.
CB: I never got to try Miss Pearl’s Jam House when it was around the first time. What kind of food did it serve?
JA: Well, it first started out as this tropical tapas restaurant. And we were one of the first places in the city to do small plates. And each dish would be on something the size of this (points to a small plate) and our largest menu at one point—and this was in the heydays—I think we had like 35 small plates and they’ll be something like salmon paillard with ginger tamarind glaze with an avocado salsa. And then we’ll have grilled shrimp skewers and we’ll have coconut pork dumplings and jerk chicken, obviously jerk pork, corn breads, hearts of palm salads. And then the kitchen would just get slammed. Because at a table of four each person would order four items because they were all inexpensive. So for doing 150 dinners, we would wind up making a thousand plates of food in this little kitchen. So we thought, “this isn’t working. It’s too ambitious.”
CB: With the new restaurant in Jack London Square, are you going to bring back the same vibe and food of the original Miss Pearl?
JA: It’s definitely going to have the same vibe. It’s going to be the vibe of a tropical urban oasis. Miss Pearl was really funky in its décor. Funky as in like weather-beaten. We made it look like you were in Montego Bay. … But this (the new Miss Pearl’s) is going to be a little cleaned up but still give you a sense of being laid back and fun.
CB: Was it when you were at Miss Pearl’s Jam House that you started your blues band?
JA: The blues band came on quite a bit after that. I’ve always been playing music on the side. I was on the high school band, mostly classic rock kind of stuff. Miss Pearl’s was mostly a lot of reggae stuff. I did every now and then sit in with the reggae band. But the blues band, the chef’s band, started when Jan Birnbaum was the chairperson for Meals on Wheels seven years ago and he had us play three songs for the opening of the event. And so we got together and we learned three songs. We found these guys from being on my show. I would talk to one chef and say, “hey I’ve been asked to do this, do you know any chefs who are musicians?” And word of mouth I found these guys.
Gordon Drysdale was a good friend of mine, Scott Warner I knew, who’s an amazing guitar player. So we got together and had such a good time doing it that we decided after the event that we’ll get together and play. It was like therapy for us. Here we have five chefs who are all in the business and all play music, who can get out of the restaurant, beat on our guitar and drums and scream at the top of our lungs. … And it was just a good, open environment where we weren’t embarrassed to talk about our pitfalls and shortcomings in the restaurants because there was never any ego stuff going on. We’re very lucky to have a good group of guys. And then the band just sort of got better and we got more opportunities to play, and the more opportunities we got to play the more we enjoyed it.
CB: Do you guys do paying gigs?
JA: Oh yeah, we do paying gigs. I like to say we do restaurant openings, benefits and bar mitzvahs. Basically any opportunity to play out, we’ll take it, we’ll do it. It’s so much fun.
CB: If you could do anything you want, would you rather be in a rock band or a chef?
JA: If I would be able to make a living playing music I would do it in a heart beat. … I love playing. For me it’s therapy—doing something creative and tactile.
Many thanks to Joey Altman for taking the time to chat with me and for agreeing to be featured on my blog (and special thanks to Piper for sharing her daddy with me for the day). I’m keeping my fingers crossed that Bay Café will return from hiatus soon, and we’ll get to see new episodes of Joey continuing his celebration of culinary life in the Bay Area.
Pancho’s Salsa Bar & Grill, 3440 Geary Blvd. at Stanyan Street, San Francisco. PH: 415.387.8226
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Single Guy Ben
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